Los Marziano

Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.

Victor, who lives abroad, must travel to his country of origin sent by the company where he works and will have only one day to visit his family who will do the impossible to honor him in that short stay. At that time, dramatic turns and touches of humor will occur to deep solemnities, within the traditional and beloved domestic bosom.

Lucia is a single parent to a child with Asperger's. She has a minimum wage job and a very difficult relationship with her mother, but she thinks she can deal with everything on her own. One day she receives an urgent call from the school: her son hit his head and she needs to pick him up.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.

Mario and Silvia are a typical Montevidean middle class couple, going through the trauma of retirement. Due to Mario’s oversight in what was to be one of his last operations a small dog dies. Shortly after, Mario and Silvia find that thieves have entered their house. They have no choice but to leave and stay at their daughter’s house, where they will enter a spiral of insecurity and paranoia that will drag them to violence and nonsense.

Sometimes the links can be built from the passions. Sometimes those links can become passions. For Hugo, a solitary taxi driver from Buenos Aires, the total, absolute and exclusive passion is San Lorenzo, which is not only an active part of his past, but a healthy obsession that bathes that gives color to his life. Until a single mother and her son cross their path. Now there will be someone to share the passion with. Maybe something more.

Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.

While her filmmaker husband works in Chile, harried young mother Liz struggles to take care of her infant son. Feeling out of place amongst the tight-knit group of other parents at the park, doubted by her husband, and judged by her newly hired nanny, Liz is drawn to factory worker Rosa, a plain-talking single mother she meets at the swings one day. Despite Liz’s liberation upon finding a bold new confidante, the friends’ increasingly apparent class differences, along with swirling rumors about Rosa’s motives and muddy family situation, feed Liz’s suspicions that her new pal might be a sinister influence on her already fragile life.

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

Natalio is a passionate teacher. When Juani, a friend, comes to live in town, the inhabitants confirm rumors about Natalio's homosexuality. The parents of his students do not approve the teacher's behavior with another man and harass the principal so that Natalio does not continue to lead the classroom.

It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

A recently separated Argentinian man and woman, with their two teenage children, go on a family holiday to Florianópolis, Brazil, where they become delightfully and problematically involved with the family from whom they rent a house.

The portrait of a man and his attempts to make things up with life after losing his job.