Ana Katz

Through five stories, the movie addresses sex and love: Paco and Ana are a marriage looking for reactivate the passion of their sexual relations, long time unsatisfied; Jose Luis tries to recover the affections of his wife Paloma, sit down on a wheelchair after an accident which has limited her mobility; Mª Candelaria and Antonio are a marriage trying by all way to be parents, but she has the trouble that no get an orgasm when make love with him; Álex try to satisfy Natalia's fantasies, while she starts to doubt if he finally will ask her in marriage; and finally, Sandra is a single woman in a permanent searching for a man to fall in love. All them love, fear, live and explore their diverse sexual paraphilias and the different sides of sexuality, trying to find the road to happiness.

Unable to have kids of their own, Cecilia and Diego get a call from the adoption agency they registered to, some time ago. The sudden arrival of Joel, a 9 year old with a very hard backstory, will change the course of their lives.

Los Marziano reconstruye la oportunidad de un reencuentro entre dos hermanos tras un largo período de distanciamiento. Se trata de un relato que trabaja con profunda inteligencia -y con rasgos de comedia- el universo de las relaciones familiares.

Lucia is a single parent to a child with Asperger's. She has a minimum wage job and a very difficult relationship with her mother, but she thinks she can deal with everything on her own. One day she receives an urgent call from the school: her son hit his head and she needs to pick him up.

Battling terminal cancer, a woman writes a one of a kind notebook about life, death and love for her son to remember her by. Based on a true story.

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

A recently separated Argentinian man and woman, with their two teenage children, go on a family holiday to Florianópolis, Brazil, where they become delightfully and problematically involved with the family from whom they rent a house.

A team of advisers is brought in to manufacture the image of Marchand, producing social media profiles, commercials and a new public persona. Conflict arises when it is revealed that not everyone is who they present themselves to be. At his country estate, a rich businessman who wants to be president is groomed by a campaign team to create an image palatable to middle-class voters.

While her filmmaker husband works in Chile, harried young mother Liz struggles to take care of her infant son. Feeling out of place amongst the tight-knit group of other parents at the park, doubted by her husband, and judged by her newly hired nanny, Liz is drawn to factory worker Rosa, a plain-talking single mother she meets at the swings one day. Despite Liz’s liberation upon finding a bold new confidante, the friends’ increasingly apparent class differences, along with swirling rumors about Rosa’s motives and muddy family situation, feed Liz’s suspicions that her new pal might be a sinister influence on her already fragile life.

When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with whom he has a prickly relationship.

The portrait of a man and his attempts to make things up with life after losing his job.

A romantic holiday has left Inés all alone. She's not at all happy about it.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

Natalio is a passionate teacher. When Juani, a friend, comes to live in town, the inhabitants confirm rumors about Natalio's homosexuality. The parents of his students do not approve the teacher's behavior with another man and harass the principal so that Natalio does not continue to lead the classroom.

Víctor Tellez is an intellectual, world-weary film critic who prefers to think in French and eschew the clichés of romantic movies...until he finds himself living a sappy, feel-good love story of his own.

Victor, who lives abroad, must travel to his country of origin sent by the company where he works and will have only one day to visit his family who will do the impossible to honor him in that short stay. At that time, dramatic turns and touches of humor will occur to deep solemnities, within the traditional and beloved domestic bosom.

Damián, an 11-year-old boy who is separated from his violent family, is taken to live in a children's home by state intervention. Accompanied by Leandro, a social worker with a personal story similar to his, Damián will have to accept that his previous life is behind him and will not return, but it is still possible to build a new beginning where there is room to not feel so alone.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

Leandro and Silvina, a young and successful middle-class couple, are experiencing the happiest time of their lives. But the sudden appearance of Leandro's daughter from another relationship, destabilizes the couple revealing hitherto unknown differences.

It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.

During a couple of days, different extreme situations lead the characters to discover that human relationships is what keep us on foot when we are about to fall: the love of a father towards his son choices, the unconditional love of a friend, the homefeeling of a neighbour who's almost part of the family. On the edge explores those extreme experiences that confront us with our prejudgments, exposing them and giving them a new meaning.

Ruth has been with Nora for fourteen years. Everybody knows about their relationship except for her mother Estela, who has never suspected it. Ruth, who is almost forty, feels the need to confess her homosexuality to her mother, who at first is shocked and collapses on the floor. She then feels the desire to understand her daughter, who has hidden an important part of her life from her for many years. So elderly Estela begins to discover the L-World: she reads books and magazines, she tries to meet her daughter's ex girlfriends and she goes to lesbian nightclubs and meeting-places, creating misunderstandings and comic situations. What does Ruth think about this? At first, she is annoyed by her mother's intrusion into her life, but she will soon understand Estela's reasons and she will rely on her to get over her crisis with Nora. This sharp, amusing comedy deals with the difficult parent-child relationship, which is portrayed through irony and without hypocrisy.

Sometimes the links can be built from the passions. Sometimes those links can become passions. For Hugo, a solitary taxi driver from Buenos Aires, the total, absolute and exclusive passion is San Lorenzo, which is not only an active part of his past, but a healthy obsession that bathes that gives color to his life. Until a single mother and her son cross their path. Now there will be someone to share the passion with. Maybe something more.

Selva is an eccentric relationship counselor who has made a name for herself with her unorthodox sessions. But Selva’s career hits a roadblock when she takes on Elías and Malena, a young couple who are seeking guidance on how to separate.