Irma Vap: O Retorno

Writer and poet Clarice Lispector investigates and develops the old question of what came first, the egg or the chicken.

Antônio is on his deathbed after helping a Black man escape his own father's plantation. Before dying, Antônio asks his father, Judge Queiroz Antunes, to raise the young enslaved boy, Bento, as his own son.

Brasileiros e Brasileiras is a Brazilian telenovela shown in some schedules SBT between November 5, 1990 and May 14, 1991. Writing for the show was done by Carlos Alberto Sofredini and Walter Avancini, who also directed it. The show was a co-production of the Miksom.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

The movie is a collage and comentary of varied third party footage on news relating to each and every one of the eight Presidents of Brazil who took office since the end of the military government, from José Sarney to Jair Bolsonaro.

The dramatic documentary recounts eight stories of love affairs in which those involved experienced some kind of physical or psychological violence. The real cases are interpreted by professional actors. The question raised by the film is whether love can be freed from violence, prompting the viewer to reflect.

Young woman goes looking for her missing boyfriend, a photographer last seen going down huge São Francisco River, in Brazil. On her search, she is told many stories about that river.

It tells the story of the Camabará family for many generations, which were fundamental to the social and political formation of the state of Rio Grande do Sul. The stories are remembered by Dona Bibiana, who remembers the life of her grandmother Ana, her husband, the Captain Rodrigo, his son Bolivar and his daughter-in-law Luzia.

Living in the house of Uberto as a child, Serpina is now a beautiful young woman who, seeing her master willing to marry, decides that it will be her and not any other woman. Adaptation of the Opera buffa La Serva Padrona.

Eternamente Pagu is a biographical film about Patrícia Galvão, best known as Pagu, a Brazilian political, literary and artistic activist. An important figure of the Brazilian Modernism, Pagu was also a militant for the Brazilian Communist Party after she married writer Oswald de Andrade. She broke up with Andrade and, as a journalist was arrested by the Dictatorship of Getúlio Vargas. After she left prison, she abandoned Communism in favor of Trotskyist Socialism, married Geraldo Ferraz, and started a career as theatre director.

Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.

In 1970, during a glittering New Year's Eve party attended by the aristocracy, a young pantry maid named Zaíra is mysteriously murdered. Thirteen years later, the prime suspect—Gastão, a humble waiter and former colleague of the victim—seeks to prove his innocence with the help of his son, Nil, becoming entangled in the lives of the other party guests. The story also follows a cunning pair of jewel thieves: the sophisticated Antônia Regina and João Maria—a criminal lawyer and member of the declining aristocracy who takes up the cause of Nil's father.