Carla Camurati

São Paulo, 1983: Women’s soccer has just been legalized in Brazil. A group of rebellious young women form the Gayvotas Football Club and begin training for their first match. But as the team quickly becomes a media sensation, its members are forced to confront the prejudices of the conservative military dictatorship that they live under.

Writer and poet Clarice Lispector investigates and develops the old question of what came first, the egg or the chicken.

An aspiring actress is hired to dub a recently deceased movie star in an upcoming erotic thriller. As the recording sessions go on, the voice actress finds herself slowly being influenced by the dead star’s presence.

Moments before turning 90 years of age, Alberto remembers his life, lived in Copacabana, a neighborhood in Rio de Janeiro. The film is a comedy about old age nowadays, with Copacabana as a background.

In a circus, the big act is that of the knife thrower, assisted by his wife. The couple takes risks in real life, in a show of great skill and coldness, which respects a blood treaty.

An innocent working girl finds a hole in her wall through which she can see the action in her neighboring apartment, where a prostitute meets her bizarre clients.

An Italian actress arrives in Belém do Pará, to stage the last moments of Carlos Gomes, author of “O Guarani”.

The movie depicts the political crisis that led to the suicide of president Getúlio Vargas, in the 19 days that preceded August 24, 1954. The crisis began with the attempted assassination of journalist and politician Carlos Lacerda in August 5, 1954, at rua Toneleros, Rio de Janeiro, in which Major Vaz was assassinated instead. Investigations pointed to Gregório Fortunato, chief of Vargas' personal guard, as the orderer of the frustrated assassination. This incident was one of the most importants in the history of Brazil.

Two stories chronicle the days of the bohemian, libertine youth of 1960s Rio de Janeiro.

The Spanish Infanta Carlota Joaquina is promised to D. João VI at the age of 10. Forced to leave for Portugal, Carlota suffers a great disappointment when she meets her promised prince. With the death of D. José, Carlota Joaquina and D. João VI inherit the Portuguese crown. However, frightened by the French Revolution and the approach of Napoleon's army, they decide to flee to their colony: Brazil.

After seven years in jail, Anjo meets up with his former accomplice, now head of a criminal organization. The former detainee finds himself embroiled with an underworld star, Shirley Sombra, and finds enmity with a corrupt police officer.

The real story of Carlos Lamarca, a captain who, during the military dictatorship in Brazil, deserted Brazilian Army and got involved in left-wing guerilla groups, becoming one of their most prominent leaders.

In 1956, the artist Candido Portinari donated a large work of art called "Guerra e Paz" to the United Nations building to be displayed at its headquarters.

After many flops, theatrical producer decides to stage a former hit, "O Mistério de Irma Vap". But he is going to face many problems to find the right actors and get the necessary permissions.

Young woman goes looking for her missing boyfriend, a photographer last seen going down huge São Francisco River, in Brazil. On her search, she is told many stories about that river.

The dramatic documentary recounts eight stories of love affairs in which those involved experienced some kind of physical or psychological violence. The real cases are interpreted by professional actors. The question raised by the film is whether love can be freed from violence, prompting the viewer to reflect.

The movie is a collage and comentary of varied third party footage on news relating to each and every one of the eight Presidents of Brazil who took office since the end of the military government, from José Sarney to Jair Bolsonaro.

Xavier, a pharmacist, lives peacefully in bigamy with his two women, Carmen and Beatriz, but the harmony breaks down when they find he has another lover, Monique, a nightclub dancer.

Living in the house of Uberto as a child, Serpina is now a beautiful young woman who, seeing her master willing to marry, decides that it will be her and not any other woman. Adaptation of the Opera buffa La Serva Padrona.

Eternamente Pagu is a biographical film about Patrícia Galvão, best known as Pagu, a Brazilian political, literary and artistic activist. An important figure of the Brazilian Modernism, Pagu was also a militant for the Brazilian Communist Party after she married writer Oswald de Andrade. She broke up with Andrade and, as a journalist was arrested by the Dictatorship of Getúlio Vargas. After she left prison, she abandoned Communism in favor of Trotskyist Socialism, married Geraldo Ferraz, and started a career as theatre director.

A poor woman is visited by the fairy godmother who turns her into a brilliant movie and TV star.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

Cláudia returns to her rural hometown in order to take revenge for the murder of her family a long time ago. She believes that the Flores family committed the crime and tries to destroy them....

Brasileiros e Brasileiras is a Brazilian telenovela shown in some schedules SBT between November 5, 1990 and May 14, 1991. Writing for the show was done by Carlos Alberto Sofredini and Walter Avancini, who also directed it. The show was a co-production of the Miksom.

Unhappy in her marriage, Rachel decides to separate from her husband, the businessman Virgílio. Determined to turn her life around, she moves from Petrópolis to the southern zone of Rio de Janeiro with her daughter, Clara, and goes to live in her mother Laura's house in Ipanema. There she falls in love with the charming, but gruff, Heitor, owner of a mechanic shop. He lives with his sister, Irene, in an old townhouse, one of the main settings of the telenovela.

It tells the story of the Camabará family for many generations, which were fundamental to the social and political formation of the state of Rio Grande do Sul. The stories are remembered by Dona Bibiana, who remembers the life of her grandmother Ana, her husband, the Captain Rodrigo, his son Bolivar and his daughter-in-law Luzia.