Autonomes

Teacher and novelist François Bégaudeau plays a version of himself as he negotiates a year with his racially mixed students from a tough Parisian neighborhood.

Amin, an aspiring screenwriter living in Paris, returns home for the summer, in Sète, South of France. It is a time of reconnecting with his family and his childhood friends. Together with his cousin Tony and his best friend Ophélie, he spends his time between the Tunisian restaurant run by his parents, the local bars and the beaches frequented by girls on holiday.

Amin returns to Sète after studying in Paris, still dreaming of cinema. By chance, an American producer on vacation takes an interest in his project and wants his wife, Jess, to play the lead role. But fate, whimsical as ever, has its own rules.

Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...

Mathias Lonisse, founder of the company Love is Dead, is a breakup specialist. He is hired to break up relationships on behalf of those who, for one reason or another, prefer to avoid this often painful and delicate task. Mathias takes his job very seriously and carries out each assignment with a high degree of professionalism, until the day his mother decides to leave his father...

Max and Lenny is the story of a friendship between two girls fighting for survival in a northern area of Marseille.

Summer is coming to an end, Amin and his friends meet Marie, a young parisian student.

Just a few weeks before elections, the outgoing President of Republic, Jean François Vanier (Patrick Braoudé), is at the lowest in the polls, leader of the most powerful right wing party he is trying to find a mainstay.

A portrait of the Larrieu brothers at work shot during the post-production of their film Tralala.

"N'importe qui" is a documentary, shot in Mayenne in the fall of 2015. It talks about everything and anything. We see a donkey, two sheeps. We see lots of goats there, including François, whom we know in Laval under the name of "The bald one". François goes from house to house to question people about democracy. Dialogues are formed, sometimes unraveled. We still wonder.