Un homme d'État

A young French sailor falls in love with a Russian tourist during a passion-filled three-day furlough, but is whisked away for a months worth of submarine duty before he can learn her last name and Moscow address. When he is finally freed again, he embarks upon a search for his lost love. Unfortunately, while his aim is true, his timing is off. His first stop is the broadcast headquarters of a major television network. He arrives shortly before the place blasted apart by a bomb. Later, he goes to the apartment of a noted talk-show host in hopes of receiving air-time during which he will plead for information concerning his lost love. But things don't come out as planned for somehow, the sailor ends up considered the prime suspect in the bombing while the real-life terrorist and his cohort, who happen to be in the same apartment building in hopes of knocking off a crooked judge.

In this film that sends up the foibles of filmmaking, a standard crew of actors, stage-hands, director, writers, producers, and others are gathered for the filming of a 45-second automobile commercial. Each role embodies an archetype (the harried director who has a deadline to meet, the Scrooge production manager who has a budget to meet, and the writers who are above these mundane concerns), and these personalities drive the working actors over the edge until they decide to lock them up and do their own thing -- happiness can be just around the corner if you are in the driver's seat. Hopefully, the actors will be able to bow out before the police catch on to the situation.

Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...

A pizza delivery guy decides to expand his job and now delivers anything, even a car.