Perkawinan

Hendro, Diana’s father, does not approve of her romance with Bije, and wants to marry Tony. Then Diana runs away with Bije to a small village where Diana’s aunt lives. This infuriates Hendro and he orders his men to capture Bije. Eventually, Bije and Diana return. When Diana is at home, she feels pain in her abdomen, and she is diagnosed of having a malignant cancer in her ulcer and won’t live long. Hendro even apologises to Bije’s father, but the latter refuses him. Bije even begs to his father to apologise to Hendro, but instead, Bije is thrown out of the house. Eventually Bije and Diana get married, but before the honeymoon ends, Diana passes away on Bije’s lap.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Through Poppy and her boyfriend, Hasan, Elina meets Abdullah and becomes his lover. Then Elina starts to lead a wayward life. Her older sister, Tuty, tries to stop her but Elina chooses to continue her relationship and gets married. Then Tuty's warning comes true, as Abdullah is irresponsible. After Elina gets a divorce, she tries to find Tuty again but fails. But in the end, the two siblings manage to reunite.

When their children fail to come home, their parents start to worry. Due to their own neglect and unfulfilled promises, the children, Maria and Suzy, are getting some help from an old man, their former teacher, to go to the zoo and other entertainment centers by themselves. When the police are called, the kids are quickly found and returned to the parents, but the teacher is so heavily shaken by this experience that he admits himself to a mental asylum.

Sarah is a lounge singer who works to support her husband, Paul Lasut, a gambler. In an intersection, her car nearly runs into the car of David Panggabean, the director of a bank. The event leads to them falling in love. Lasut is shot and dies on the gambling table. Sarah thinks that Lasut dies because of the money that David gave him. Sarah avoids David, who still persistently visits her place of work. David also has problems with his work, due to his assistant. All the problems are finally resolved when David and Sarah are married.

It tells about the love story between Romi and Juli, which is opposed by Juli's parents due to Romi's upbringing in the overseas. Romi's father is a diplomat. But Juli's father refusal dampens down when the doctor tells him that Juli suffers from leukemia and she would not live long.

The movie follows two castaway children who grow up with one of their fathers, but must fend for themselves after they are captured and deified by natives. Adapted from Henry De Vere Stacpoole's novel The Blue Lagoon, via the film of the same name, Pengantin Pantai Biru introduces several differences to the story.

Nick and Arini finally marry despite their big age difference that leads to conflicts. Nick and Arini try to cope, and even decide to see a psychiatrist. Meanwhile, Ella, Arini’s child from Helmy, has a problem after a kidney transplant. She needs a new kidney. Her stepmother, Ira, offers to be the donor, with financial help from Arini. The operation is done in Germany. Upon returning home, Arini finds an upset Nick, who is jealous about a picture of Arini and Helmy together. In fact, Nick’s mother, who has always disapproved of his marriage, funded Helmy’s trip to Germany to set up the situation. Nick suspects that Arini is pregnant and refuses to go home. In frustration, he brings home a prostitute to his mother’s house. Then his mother goes to Arini’s house and finds out that Arini is struggling to give birth. She is then taken to the hospital and has a Caesarean. Meanwhile, Nick finds out the truth of the whole incident and goes to the hospital to apologise. The marriage survives.

Euis, a beautiful village flower girl, was forced to follow Mang Emon and his wife Jujuk, illegally to Muangthai. When they arrived there, Euis and the other girls were only used as entertainers. They were powerless to fight Mang Emon and his cruel thugs. Euis' desire to escape was still burning. She started saving as provisions. Euis then got acquainted with Ario, a Javanese young man who worked there. The two fell in love. Ario intended to help Euis get out of the valley of hell. At one point Euis' savings had been collected, but were stolen by Mang Emon's men. After Mang Emon's death, Jujuk intended to sell his brothel. The sale of the brothel became a fight among them. This commotion was an opportunity for Ario to arrange an escape. Finally they managed to escape, returned to Indonesia and then they set up a convection business.

Ineke and Jamal, have already discussed their marriage plan, but disaster strikes. Ineke is hit by a horse, and faces the possibility of paralysis. Jamal, who has already applied for a job in the oil industry, has to leave her in the hospital and goes to Natuna island. Jamal never fails to send her letters, but his letters are always kept by Ineke’s mother. Doctor Yaman, who has just returned from Timor Timur, is challenged to cure Ineke. His effort is successful and he even marries Ineke who has forgotten about Jamal. Then Jamal returns home and is heartbroken when his younger sibling informs him about the situation. Ineke’s mother feels guilty.

Melati, who came from the village looking for work, accidentally met Rio. Then she worked at Rio's uncle's restaurant as a waitress. Conflict arose when it was discovered that Rio's father and Melati's mother were once in a marital relationship.

Director Wim Umboh experiments again and the first third of the movie is filled with a series of images almost without dialogue relating the work of brothers, Johanes and Leo Mokodompis.

Del’s mother opposes her romance with Iyan, especially when she also gets pregnant.

Suryani, helps Iskandar find a job and gives him love. But the happiness doesn't last long when Aminah, Iskandar's wife, and child come to see him. Then Suryani disappears while carrying Iskandar's baby in her womb. Six years later, Iskandar, assisted by his secretary Sri, finds Suryani and his daughter, Atik, in a village. Although she is reluctant in the beginning, she finally agrees to go with him to the city. Then Suryani avoids Iskandar and forbids her daughter from seeing Iskandar. When Iskandar's company is about to go bankrupt, Suryani comes to help by selling her house and the shop that Iskandar gave. Then the salvaged company is given to Aminah and her child, while Iskandar goes away to repent.

Tells the story of two women with different characters who love the same man. Widuri, does not dare to express her love while Irawati is more aggressive. One time Widuri was raped by Irawati's men until she was pregnant. Then she moved to the village. While Toby was threatened to marry Irawati because Irawati was pregnant due to her promiscuity and because she lent Irawati's father's company money to her friend but could not return it. Toby avoided it by following Widuri to the village and intended to marry her, but Widuri refused. Toby finally had an accident and Irawati died while giving birth.

This movie is a remake of Pengantin Remadja 1971 original version which is also one of indonesian legendary love story movie such as Badai Pasti Berlalu, Gita Cinta SMA, etc. This Movie tells the love story among two of teenage kids unfortunately restrained by difference in social status of both family which are diplomat and farmer family. Some Scenarios have changed compare to original one which ends tragically. In the original 1971 starring by Widyawati and Sophan Sophian while in this remake Pengantin Remaja 1991 replaced by Vivi Samodro and Bucek Depp. The Musical illustrations are also impressive. Both of original Pengantin Remadja 1971 and this remake 1991 are directed by the same person Wim Umboh and music arranger Idris Sardi.