A General's Daughter

Through Poppy and her boyfriend, Hasan, Elina meets Abdullah and becomes his lover. Then Elina starts to lead a wayward life. Her older sister, Tuty, tries to stop her but Elina chooses to continue her relationship and gets married. Then Tuty's warning comes true, as Abdullah is irresponsible. After Elina gets a divorce, she tries to find Tuty again but fails. But in the end, the two siblings manage to reunite.

Sarah is a lounge singer who works to support her husband, Paul Lasut, a gambler. In an intersection, her car nearly runs into the car of David Panggabean, the director of a bank. The event leads to them falling in love. Lasut is shot and dies on the gambling table. Sarah thinks that Lasut dies because of the money that David gave him. Sarah avoids David, who still persistently visits her place of work. David also has problems with his work, due to his assistant. All the problems are finally resolved when David and Sarah are married.

Legendary directors Wim Umboh and Sjumandjaja, decided to experiment by producing a script being written at the same time of the shooting. Mama is a complex story with two seemingly unrelated narrative threads. The first story revolves around Sanca and Anani. The second is about Ulli and Pandji, and in between the two stories is a third narrative, about Ulla, a religious prostitute and Ulli’s sister, and Suwaka.

Hendro, Diana’s father, does not approve of her romance with Bije, and wants to marry Tony. Then Diana runs away with Bije to a small village where Diana’s aunt lives. This infuriates Hendro and he orders his men to capture Bije. Eventually, Bije and Diana return. When Diana is at home, she feels pain in her abdomen, and she is diagnosed of having a malignant cancer in her ulcer and won’t live long. Hendro even apologises to Bije’s father, but the latter refuses him. Bije even begs to his father to apologise to Hendro, but instead, Bije is thrown out of the house. Eventually Bije and Diana get married, but before the honeymoon ends, Diana passes away on Bije’s lap.

Euis, a beautiful village flower girl, was forced to follow Mang Emon and his wife Jujuk, illegally to Muangthai. When they arrived there, Euis and the other girls were only used as entertainers. They were powerless to fight Mang Emon and his cruel thugs. Euis' desire to escape was still burning. She started saving as provisions. Euis then got acquainted with Ario, a Javanese young man who worked there. The two fell in love. Ario intended to help Euis get out of the valley of hell. At one point Euis' savings had been collected, but were stolen by Mang Emon's men. After Mang Emon's death, Jujuk intended to sell his brothel. The sale of the brothel became a fight among them. This commotion was an opportunity for Ario to arrange an escape. Finally they managed to escape, returned to Indonesia and then they set up a convection business.

It tells about the love story between Romi and Juli, which is opposed by Juli's parents due to Romi's upbringing in the overseas. Romi's father is a diplomat. But Juli's father refusal dampens down when the doctor tells him that Juli suffers from leukemia and she would not live long.

The movie follows two castaway children who grow up with one of their fathers, but must fend for themselves after they are captured and deified by natives. Adapted from Henry De Vere Stacpoole's novel The Blue Lagoon, via the film of the same name, Pengantin Pantai Biru introduces several differences to the story.

Nick and Arini finally marry despite their big age difference that leads to conflicts. Nick and Arini try to cope, and even decide to see a psychiatrist. Meanwhile, Ella, Arini’s child from Helmy, has a problem after a kidney transplant. She needs a new kidney. Her stepmother, Ira, offers to be the donor, with financial help from Arini. The operation is done in Germany. Upon returning home, Arini finds an upset Nick, who is jealous about a picture of Arini and Helmy together. In fact, Nick’s mother, who has always disapproved of his marriage, funded Helmy’s trip to Germany to set up the situation. Nick suspects that Arini is pregnant and refuses to go home. In frustration, he brings home a prostitute to his mother’s house. Then his mother goes to Arini’s house and finds out that Arini is struggling to give birth. She is then taken to the hospital and has a Caesarean. Meanwhile, Nick finds out the truth of the whole incident and goes to the hospital to apologise. The marriage survives.

Melati, who came from the village looking for work, accidentally met Rio. Then she worked at Rio's uncle's restaurant as a waitress. Conflict arose when it was discovered that Rio's father and Melati's mother were once in a marital relationship.

Del’s mother opposes her romance with Iyan, especially when she also gets pregnant.

Maria since childhood was directed by her father to become a nun. As a result of her father's cultivation of a rigid appreciation, Maria always feels awkward, including the delinquency that is common for a girl. He also first falls in love with Guntur. Maria finally actually became a nun.

Sri, a beggar who caused a scandal in her helper’s family, tries to escape with with Parto, a rickshaw driver.

When their children fail to come home, their parents start to worry. Due to their own neglect and unfulfilled promises, the children, Maria and Suzy, are getting some help from an old man, their former teacher, to go to the zoo and other entertainment centers by themselves. When the police are called, the kids are quickly found and returned to the parents, but the teacher is so heavily shaken by this experience that he admits himself to a mental asylum.

Filled with surrealistic dream scenes, this fairy-tale-like film sees Buang, Bernardus, and Bakar, three prisoners who run away during a prison revolt. They meet Bunga, a small lonely girl whose parents are busy with work, and whose house is secluded from the neighbours. This meeting transforms the prisoners, into normal decent persons. Happy to find new friends, Bunga steals food from her house for the three new friends. The fairy tale ends when the three convicts are recaptured.

Director Wim Umboh experiments again and the first third of the movie is filled with a series of images almost without dialogue relating the work of brothers, Johanes and Leo Mokodompis.