A fekete bojtár

1629, Transylvania: Reigning prince Bethlen Gábor has Don Diego, the Spanish chronicle knight be brought to his court in order to make him record his life and deeds for posterity.

The reformed priest of Gát, Pap Énók, gets married. He is engaged to the worthy Miss Ica Zádor from Malomsk and Zádor. At the Easter 'priestess election ball', Énók could have chosen a wife from among thirty-five Gáti girls, but he asked the thirty-sixth, Ica, a young lady from Pest. Enoch, of peasant origin, had studied his way up to the middle-class intellectuals of the countryside. Ica, the scion of a ruined noble family, comes from Budapest to a low-class marriage, but Ica's rise to office could bring her back into the higher social circles she had lost through the family's decline. They married for love, but both were guided by interest and expectation. Ica is a vivacious woman of the world, dissatisfied, bored, longing to return to life and society in Pest. She finds strange amusements: sometimes she embraces, sometimes she torments her master. Enoch is head over heels in love, puts up with everything, and in return happily accepts the kisses he is rewarded with.

Anna, a celebrated Transylvanian actress starring at Hungary’s National Theatre in the mid-1960s, falls in love with an Olympic champion she meets at a reception, much to the regime’s displeasure, which has other plans for the multilingual star as an official hostess for visiting dignitaries. As the secret service weaves its manipulative web across every facet of her life, Anna, fortified by her love, proves a formidable opponent to their schemes.

A focus on the tormented lives of intellectuals who failed to protest recent troubles in their homeland. Jancsó emphasizes highly evocative and ambiguous imagery over dialog or exposition as he – through visually fascinating imagery – depicts the painful, stunted lives of Hungary's intellectuals who have remained silent and ineffectual during various political crises.

In the early 1950s, a talented singer tries to defect to Italy with her football player lover, but is caught by an informant, so they have to pay hard for this anti-system act. Vince Nagy and Vali Szalai are a happy loving couple. Vince is a rising footballist, Vali is a singer. The socialist regime chose Vince to make an example of him: he has to leave the country immediately or broke up with Vali. They chose to leave together, but the escape fails, they get in prison.

From the film-shooting in the Buda Castle Marci and his friend go to a well-paying job. The scene is a big castle in the middle of a huge park. They enjoy the company of the Kid and the beautiful naked French girl, Nathalie. Their job is to watch the monitors on which they can see the Moscow coup détat. By the time Gorbachev is executed the Communist and the Nationalists have taken turns in occupying the castle and the park.

Panni becomes the wife of the landowner Komáromi and thus the first woman of the village. Marriage only brings her wealth, she does not love her lord, her new family despises her, and she does not even get a maid from her former girlfriends. His old lover, Miska, unexpectedly returns to the village and visits the woman. Panni receives him with a smile and, after mutual recriminations, expels him. She tells her husband everything, but Komáromi, unmanly, does not defend his wife himself, but throws Mishka out of the ball with others, and she hates him forever. When Panni meets Miska again, she refuses to let him go back to Pest alone. Another adaptation of Zsigmond Móricz's work.

Zsigmond Móricz wrote his novel Butterfly in just a few days in 1924. Móricz tells the story of a mighty love that triumphs over adversity and is all-powerful in the language of ordinary people. The love of Zsuzsika and Jóska is presented through the "lightning and veil-soft" emotions of the director, László Vitézy's television adaptation. After The Legend of Hortobágy (Komorló) and The Sky Bird, this is the third film made by László Vitézy based on the writings of Zsigmond Móricz.

This László Vitézy documentary examines the sensitive topic of drug use in Hungary. The work, dating from 1988, was the first to give a voice to disadvantaged individuals whose very existence had been a taboo. In addition to unpicking the tragic personal stories of drug users just surviving on the fringes of late Kádár-era society, another important purpose of the film was that it investigated the ‘official’ side of the problem as well. It is evident from what those interviewed had to say that meaningful steps were put off for decades by the fact that the whole issue of drugs was a forbidden subject in Hungary.

The film weaves together three stories from Hortobágy. It takes a sacred approach to the honesty, fallibility, stubbornness and deep emotions of the ancient people of Hortobágy. The director was inspired by Zsigmond Móricz's short story "Komor Ló" and the writer's realistic yet mystical vision to film two other stories told by the people of the Hortobágy, set in 1945 and after the communist coup.

Isti, a junior official in the ministry, is a happy husband and father. He works all day to support his family, and gives his wife all the money she needs to bring home, as a proper husband should. But one day his colleagues are talking about female philandering, and Isti's jealousy flares up for no reason. In addition, he is let home early from work because of the holiday, causing a bit of a disturbance because his wife hasn't finished lunch yet. Isti is suspicious of everything, even her friend Évi gets her worked up. She and the woman have a row over four crowns, and Isti runs away from home to see her friend, the skirt-chasing Füredit. The two men set off together into the Pest night...

Eighteen-year-old Pásztor Béla joins the communist party.

A five part docu-drama following the everyday lives, family conflicts, careers, joys and problems of a married couple of school teachers and their five children.