El Gringo
As is well known, ‘gringo’ is the derogatory term Mexicans use to refer to NorthAmerican citizens. Shot in a central province of Mexico, Alÿs’s video portrays the confrontation between a group of dogs protecting their master’s home and an intruder (the cameraman, invisible to the work’s spectators). In this fiction of sorts, the camera takes an active role in the unfolding of the narrative. By examining the way in which its oppressive gaze can be a form of weaponry as much as a shield, it draws attention to how videocameras have become an epitome of power. Acting ‘like a dog among dogs’, Alÿs deliberately set the camera against the animals knowing that dogs loathe direct eye contact. Throughout the film the camera manages to keep the dogs at bay, sometimes providing a physical armour, sometimes actively entering into the game of menace and recognition.
Directed by Francis Alÿs
More from Francis AlÿsSee all →
The Nightwatch · 2004
Paradox of Praxis 5 · 2015
Zapatos Magnéticos · 1994
Tornado · 2010
Fitzroy Square · 2004
Patriotic Tales · 1997
Semáforos · 1995
Looking Up · 2005
The Collector · 2006
Painting/Retoque
Siren · 2023
Railings · 2004
Re-enactment · 2000
Bolero (Shoe Shine Blues), 1996-2007 · 2008
Reel/Unreel · 2012
GuardsMore Like This
Couldn't load this row right now.
