Spotlight on a Murderer

The Moment of Peace

The movie "L'instant de la paix" consists of three segments: 1. "Les rideaux blancs" (France) 2. "Berlin N 65" (West Germany) 3. "Matura" (Poland)

La Discorde

A man comes back to his old haunts and surveys the changes around him

Cinépanorama

La Nouvelle Vague par elle-même

Made for Cinéastes de notre temps series. In 1964, several French New Wave auteurs discuss the success and crisis of the wave. Featuring Claude Chabrol, François Truffaut, Jacques Rivette, Jean-Luc Godard, Jacques Rozier, Jacques Demy, Agnès Varda, Jean Rouch, and many others.

Eyes Without a Face

Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.

Blood of the Beasts

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.

Dust of Life

The planet is filled with dust and particles of all kinds, natural or originated by man. Such a state of things has of course a great many consequences for public health, with diseases like silicosis, inherent in various human activities, some of which are detailed (farming, notably the treatment of flax; industrial activity, particularly porcelain and cement work, coal mining).

Notre Dame, cathédrale de Paris

An in-depth tour of the cathedral, combining history, architecture and contemplation.

L'Homme sans visage

A team of police officers are tracking down a criminal nicknamed “The Faceless Man,” who wants to steal the Templars' treasure with the help of a mad scientist and an accomplice called “The Woman.” L'Homme sans visage (shot in 16mm) is a series consisting of eight 56 minute episodes broadcast on television a year after Nuits rouges (shot in 35mm), whose story they expand, although Franju shot the film and series at the same time.

Mon chien

A family goes on holiday, abandoning the little girl’s dog.

Le Métro

This silent film on the Paris Metro was the first foray into film by Georges Franju and only foray into the realization of the future creator of the Cinémathèque Française, Henri Langlois.

Georges Franju - Le visionnaire

Made for "Cinéma, de notre temps" series. Interview with Georges Franju (1912-1987), a figure of immense importance in the history of French cinema, not primarily for his films (exceptional though many of these are) but for being the co-founder, with Henri Langlois, of the Cinémathèque Française in 1936, France's most famous and important film archive.

Judex

Georges Franju's Judex is an arch, playful tribute to the serials of the influential silent filmmaker Louis Feuillade. Franju shuffles through the plot of Feuillade's lengthy serial of the same name, about an adventurer named Judex whose revenge against the corrupt banker Favraux unleashes a complicated series of schemes.

Aznavour by Charles

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Le Grand Méliès

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

Head Against the Wall

An aimless young man is committed to a psychiatric hospital by his father in an attempt to cure him of his delinquent tendencies.