The Shadow Line

The movie "L'instant de la paix" consists of three segments: 1. "Les rideaux blancs" (France) 2. "Berlin N 65" (West Germany) 3. "Matura" (Poland)

A man comes back to his old haunts and surveys the changes around him

A lyrical evocation of times past and a reflection on the inevitable passing of time through the recollections of an old fisherman.

Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.

An early example of ultra-realism, this movie contrasts the quiet, bucolic life in the outskirts of Paris with the harsh, gory conditions inside the nearby slaughterhouses. Describes the fate of the animals and that of the workers in graphic detail.

The planet is filled with dust and particles of all kinds, natural or originated by man. Such a state of things has of course a great many consequences for public health, with diseases like silicosis, inherent in various human activities, some of which are detailed (farming, notably the treatment of flax; industrial activity, particularly porcelain and cement work, coal mining).

An in-depth tour of the cathedral, combining history, architecture and contemplation.

A team of police officers are tracking down a criminal nicknamed “The Faceless Man,” who wants to steal the Templars' treasure with the help of a mad scientist and an accomplice called “The Woman.” L'Homme sans visage (shot in 16mm) is a series consisting of eight 56 minute episodes broadcast on television a year after Nuits rouges (shot in 35mm), whose story they expand, although Franju shot the film and series at the same time.

A family goes on holiday, abandoning the little girl’s dog.

This silent film on the Paris Metro was the first foray into film by Georges Franju and only foray into the realization of the future creator of the Cinémathèque Française, Henri Langlois.

This Government-commissioned documentary was intended to reflect the modernisation of French industry. However, in Franju’s hands it became an ode to fire and a fascinating portrayal of industrial architecture.

Georges Franju's Judex is an arch, playful tribute to the serials of the influential silent filmmaker Louis Feuillade. Franju shuffles through the plot of Feuillade's lengthy serial of the same name, about an adventurer named Judex whose revenge against the corrupt banker Favraux unleashes a complicated series of schemes.

A biographical film about cinematic illusionist Georges Méliès featuring Méliès’s widow, Jeanne d’Alcy, as herself, and their son André as his own father.

An aimless young man is committed to a psychiatric hospital by his father in an attempt to cure him of his delinquent tendencies.

Thérèse is living in a provincial town, unhappily married to Bernard, a dull, pompous man whose only interest is preserving his family name and property. They live in an isolated country mansion surrounded by servants. Early in her marriage her only comforts are her fondness for Bernard's pine-tree forest, which was her primary reason for marrying him, and her love for her sister-in-law and Bernard's half-sister, Anne. The movie recounts in flashback the circumstances that led to her being charged with poisoning her husband.

An old count hides just before he dies to annoy his heirs. The heirs search a manor for the count's body and are killed off one by one. Jean-Marie, his fiancée Micheline, and Edwige investigate the deaths and search for the count's body.