Ei Korechho Bhalo

A young couple struggle with poverty, but a job opportunity which cancels their financial woes leads to new tests of character

Aashirwad is a 1968 Bollywood film. Produced by N.C. Sippy and Hrishikesh Mukherjee, it is directed by Hrishikesh Mukherjee. The film stars Ashok Kumar and Sanjeev Kumar.

Goopy and Bagha are invited to the Kingdom of Shundi, where they must outwit an evil astrologer and his imposter to save the king and prevent an attack from the neighbouring kingdom of Halla.

A romantic drama which tells the story of a 20 year relationship between Hari and Aarti - a deaf-mute couple who try to live their lives to the fullest despite their handicaps.

Shekhar is new to the block and it doesn't take long before the street noise and the children playing nearby push his tolerance to the limit. To the rescue comes Mili, who has the exact opposite disposition. While Shekhar may be at a loss over what to do with her at first, he eventually falls in love.

A well-off family is paid an unexpected, and rather unwanted, visit by a man claiming to be the woman's long lost uncle. The initial suspicion with which they greet the man slowly dissolves as he regales them with stories of his travels, tales that are at odds with their conventional middle class perspective on the world.

A man's simple lie to secure his job escalates into more complex lies when his orthodox boss becomes suspicious.

Sulekha is in awe of her brother-in-law Raghavendra for his intelligence. Parimal, her husband, decides to take up the challenge of fooling Raghavendra and goes to work for him as a driver.

Famous Bengali private investigator Pradosh C. Mitter (Feluda) is hired by wealthy businessman Dinnanath Lahiri. His suitcase has been accidentally exchanged with someone on the Kalka Mail. Inside it is a valuable manuscript written by Shambucharan Bose. The case takes Feluda, Topshe and Jatayu to Shimla, where they discover a priceless diamond in a film container, disguised as a betel - nut. 'The Three Musketeers' face great danger in Shimla, before Feluda eventually solves the case.

J.K. is a hotel Manager in a scenic location in India. One day he gallantly comes to the rescue of a drunk daughter, Aarti, of a politician, and chooses to be discrete about it. When she recovers, she and he fall in love; get married in a small marriage ceremony, have a daughter, and thereafter differences arise to such an extent that they decide to separate. Years pass J.K. and Aarti meet again when she is an established politician, both are still attracted to each other, but she does not want her name to be tarnished and stigmatized as a "separated" woman.

When a wealthy patriarch falls ill on his 70th birthday, three of his sons rush in from Calcutta, leading to a reunion filled with painful ironies and lingering disillusionment. As the family—including an addled fourth son who lives with the old man—watches and waits, the static occasion brings out simmering tensions in their family dynamics, from the father’s moral rectitude to the business ambition of two sons and the withdrawal of their siblings.

Desperate for a cook, the disgruntled Sharmas are relieved when a multi-talented man, Raghu, takes up the job. However, when all seems well, the family jewels disappear and so does Raghu.

As his son, Ramesh, reaches marriageable age, Kailash sets out to find him a wife, insisting that she should be a traditional, Indian village girl.

Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.

A daughter of poor parents was engaged to a man when she was 13. The man is away working in Calcutta. In the meanwhile, she befriends a truck-driver who promises her parents a huge amount of money. The girl is snatched away by her father-in-law and raped by him. But she is punished for his crime.

An unemployed young man (Jeetendra) takes a job to tutor unruly grandkids of Rai Sahab (Pran) and brings out respect, appreciation and hard work hidden deep inside them.