La vereda de la sombra

Explores the figure of the labor attaché as a diplomatic figure that emerged during Perón's first administration in Argentina. This initiative represented a cultural conflict by opening spaces in Argentine politics, such as the foreign ministry and foreign relations, to workers.

He is a poor glass cleaner. She lives in Carrasco. One day at the crossroads something happens that can change their lives forever.

A virus is unleashed and a chilling massacre runs through the streets of Montevideo.

Laura and her father Wilson arrive at a cottage off the beaten path in order to repair it since its owner will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.

A bitter postcard of the town of the Buenos Aires countryside that Argentinean writer Manuel Puig (1932-90) portrayed with singular mastery, based on his own land, a town named General Villegas. Its inhabitants never forgave him. However, a woman, owner of a painful and enigmatic past, will build a bridge between Coronel Vallejos, the town created by Puig, and the real General Villegas, trying to reconcile the place with the writer.

Julio, a man obsessed with love, meets Claire, an american tourist.

The film revolves around the suffering of an entire club that, despite being one of the most traditional in Argentine football, has only won one First Division title in the professional era, but whose fans are recognized throughout the football world as some of the most loyal and passionate in the entire world.

Three stories about vampires intertwined during a night in the city of Buenos Aires.

There was a time in Argentina, not so long ago, when the army wasn't only one, official, but many and made up by civilians. In those times of courageous youths determined to fight to the death for that cause upheld around Peronism as wll as some left-wing postulates, revolutionary Cubas was a beacon of hope in the world scheme -a Montonero nation. "A House in Cuba" seeks to recover the curious adventure of a couple of Montonero parents and their small children, who were lovingly sent into exile in order for their parents to take up arms.

Macias Möll spends his days surrounded by clocks and immersed in calculations about time. Driven by a deep desire, every afternoon he stubbornly tries to beat the clock and launches himself down the plaza's ramps in his wheelchair. There he is happy, surrounded by cheering children. The balanced balance between his deepest desire (to return to his childhood) and his present disability is threatened by the sudden disappearance of some children in the plaza, placing him as the sole suspect in a crime that has become public knowledge. A police inspector about to retire, a judge, a bishop, a beautiful young officer, a former Irish diplomat, and a market vendor are part of the cast of characters who take sides in this plot.

In the bohemian 1980s, a group of friends based in Paris decide to open a tango club, unknowing that from that little place tango would re-emerge around the world. The film recreates the mythical Trottoirs de Buenos Aires, where famous singers performed, such as Polaco Goyeneche, Rubén Juárez and Susana Rinaldi, under the tutelage of Julio Cortázar.

The Andean condor, the largest flying bird in the world, is once again taking to the skies of the Patagonian coasts thanks to a conservation effort that integrates the latest biotechnological advances with the worldview of native peoples, guardians of the millenary contact with these sacred birds.

What social and political commitment did the disappeared psychologists have? Why were some movements persecuted while others, like psychoanalysis, were able to reaffirm their development? These are some of the questions filmmaker Jana Kraselsky asks when she is hired to film a documentary. (...) Rompenieblas works on the suspicion that psychoanalysis had such an impact in Argentina because its expansion took place during the last dictatorship, since, protected by the scientific postulate of neutrality, social and political matters were left out of psychoanalytic institutions.