Gustavo Alonso

A virus is unleashed and a chilling massacre runs through the streets of Montevideo.

He is a poor glass cleaner. She lives in Carrasco. One day at the crossroads something happens that can change their lives forever.

The film revolves around the suffering of an entire club that, despite being one of the most traditional in Argentine football, has only won one First Division title in the professional era, but whose fans are recognized throughout the football world as some of the most loyal and passionate in the entire world.

Laura and her father Wilson arrive at a cottage off the beaten path in order to repair it since its owner will soon put the house on sale. They will spend the night there in order to start the repairs the following morning. Everything seems to go on smoothly until Laura hears a sound that comes from outside and gets louder and louder in the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own waiting for her father to come down. The plot is based on a true story that occurred in the 1940s in a small village in Uruguay. La casa muda focuses on the last seventy eight minutes, second by second, as Laura tries to leave the house unharmed and discovers the dark secret it hides.

Macias Möll spends his days surrounded by clocks and immersed in calculations about time. Driven by a deep desire, every afternoon he stubbornly tries to beat the clock and launches himself down the plaza's ramps in his wheelchair. There he is happy, surrounded by cheering children. The balanced balance between his deepest desire (to return to his childhood) and his present disability is threatened by the sudden disappearance of some children in the plaza, placing him as the sole suspect in a crime that has become public knowledge. A police inspector about to retire, a judge, a bishop, a beautiful young officer, a former Irish diplomat, and a market vendor are part of the cast of characters who take sides in this plot.

Explores the figure of the labor attaché as a diplomatic figure that emerged during Perón's first administration in Argentina. This initiative represented a cultural conflict by opening spaces in Argentine politics, such as the foreign ministry and foreign relations, to workers.

Julio, a man obsessed with love, meets Claire, an american tourist.

Three stories about vampires intertwined during a night in the city of Buenos Aires.