París, 20 de juny de 1971. Miting á Montreuil

Monica, a wife and mother, is dissatisfied with his routine, conventional life. Her husband, Pablo, decides that the best thing for her and her children is to spend the summer in Cadaqués.

A model, whose brother committed suicide by hanging himself, is the girlfriend of a rock singer. The city is hit by a series of killings. A secret admirer of the model is responsible for discovering the murderer.

A teenager is raped and will take justice into her own hands.

While waiting to get started on the production of his feature Liberxina 90 (1970), Carlos Duran shot this short (with very expressive support by several Escuela de Barcelona professors): a grimly colourful satire on modern society as such, and on its fascist Spanish variety in particular. "The intrusion into the private life of a human being, of the distinct tendencies that exist in the society we live in, until they fall into chaos." Carlos Durán

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

The film plunges into the intrigue of a love triangle in which is involved a former actress who has a relationship with her husband, a film producer, her lover, the screenwriter of the films he produces and a criminal lawyer.

A woman uselessly insists on entertaining a man by telling him stories that don’t interest him as much as his works. A film about the impossibility of telling a story that, to this end, concentrates on the story of two people who have a relationship that is destined to fail.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.

The story concerns an actor who is unhappy with life and decides to separate from his body and integrate his mind into a doll. When his body dies, a group of characters search the countryside to find the doll.

Chusa shares a flat in central Madrid with her cousin Jaime and her lover Alberto. The group makes ends meet by smuggling and selling drugs from Morocco. They take in a naive young woman, Elena, and decide to include her in their next scheme although this will prove complicated.

Young José María goes through a painful journey until he discovers that he is a transsexual.

A young newlywed woman begins to have disturbing nightmares just after settling into the old mansion that has belonged to her husband's family for centuries. When her sinister dreams come true, the innocent bride is caught in a maddening maze of unspeakable horrors.

Gim, an attractive advertising model, decides to face her destiny and confront a mysterious serial killer who relentlessly pursues the most beautiful women in a disturbingly empty city.

Pre-teen, and his orphaned best-bud, live by their wits while his mom is serving a prison sentence.

A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.