Carlos Durán

A young newlywed woman begins to have disturbing nightmares just after settling into the old mansion that has belonged to her husband's family for centuries. When her sinister dreams come true, the innocent bride is caught in a maddening maze of unspeakable horrors.

In the slums of Barcelona, Fanny, a woman just released from prison, tries to carry out a revenge that has nourished for years: to kill "El Gallego", the corrupt and brutal policeman who killed her boyfriend

Chusa shares a flat in central Madrid with her cousin Jaime and her lover Alberto. The group makes ends meet by smuggling and selling drugs from Morocco. They take in a naive young woman, Elena, and decide to include her in their next scheme although this will prove complicated.

Gim, an attractive advertising model, decides to face her destiny and confront a mysterious serial killer who relentlessly pursues the most beautiful women in a disturbingly empty city.

A model, whose brother committed suicide by hanging himself, is the girlfriend of a rock singer. The city is hit by a series of killings. A secret admirer of the model is responsible for discovering the murderer.

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

A drug has been discovered, Liberxina 90, which will erase "establishment" conditioning from the human mind. It has fallen into the hands of some diversely anarchistic revolutionaries who spend most of the film discussing how and whether to use it; should they wait for the forces of "history" to undermine society or speed things up using the drug? They are finally forced into action by the police who are, somewhat ineptly, hunting them down.

An unprejudiced portrait of Spanish folklore and a crude analysis in black and white of its intimate relationship with atavism and superstition, with violence and pain, with blood and death; a story of terror, a journey to the most sinister and ancestral Spain; the one that lived far from the most visited tourist destinations, from the economic miracle and unstoppable progress, relentlessly promoted by the Franco regime during the sixties.