Visions of Terror

SWANS recorded live 2010/2011. Track listing: No Words / No Thoughts (18:50) - Avatar (10:36) - The Apostate (19:31) - Beautiful Child (Fragment) (3:43) - Jim (8:16) - Sex God Sex (7:13) - The Seer / I Crawled (32:16)

From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"

A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?

Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.

A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.

Jimmy Morris has a special surprise guest on his podcast, The Film Dick. It's Chester Holloway who reveals all the secrets behind the mysterious 1939 film, 'Sex Madness.'

All of the album's songs were made into music videos by various filmmakers, such as the Quay Brothers, Garine Torossian, Grant Gee, and Guy Maddin.

The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.

THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history - The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.

Are we in fact living in a simulation? This is the question postulated, wrestled with, and ultimately argued for through archival footage, compelling interviews with real people shrouded in digital avatars, and a collection of cases from some of our most iconoclastic figures in contemporary culture.

Four young friends with fracturing relationships take a camping trip to Southern Utah in order to escape an ecological disaster up North. Alone in the desert, they begin to suspect that their reality might not be as it seems, and soon realize they’re being observed by a mysterious cosmic force.

Eight people experience sleep paralysis, a condition which leaves them unable to move, speak or react.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

A musician’s money grab Halloween composition unleashes the haunting sound of his own mother’s death.

Primal Screen is a documentary about a person's childhood fear of ventriloquist dummies and dolls due to the uncanny valley.

A twisted cinematic supercut of short films, visual essays, found footage, remixes and music videos.