Rodney Ascher

A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.

Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.

Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.

Hot Chicks is a unique omnibus collaboration that adapts several of the widely-read palm-sized religious comic book tracts that have been published by Jack T Chick since 1958. Over 400 million copies of Chick's easy-to-read work have been distributed in over 70 languages around the world, to spread his message of born again salvation.

Are we in fact living in a simulation? This is the question postulated, wrestled with, and ultimately argued for through archival footage, compelling interviews with real people shrouded in digital avatars, and a collection of cases from some of our most iconoclastic figures in contemporary culture.

Jimmy Morris has a special surprise guest on his podcast, The Film Dick. It's Chester Holloway who reveals all the secrets behind the mysterious 1939 film, 'Sex Madness.'

Eight people experience sleep paralysis, a condition which leaves them unable to move, speak or react.

From their roots as a brutal, confrontational industrial band, through breakups and chaos, to their odds-defying current status as one of the most accomplished and ambitious bands in the world, one whose concerts are more like ecstatic rituals than nostalgic trips. SWANS has always been a collection of singular performers, but there's been one constant since its formation in 1982--singer, songwriter Michael Gira. 'Where Does a Body End?' is a SWANS documentary with unfettered access to hundreds of hours of Gira/SWANS archives of never-seen-before recordings, videos, and photographs. An unfiltered story of a life in the arts, frequent difficulty spanning decades without a safety net, creating work because Gira says "What else am I going to do?"

A wilfully offensive band, The Mentors gained infamy for performing in black executioner hoods and spewing cartoonishly racist, homophobic and misogynistic lyrics in the 1980s and ‘90s—but was their use of shock meant to propagate hate or confront it?

A perfect little nightmare, WHEEL OF TORMENT takes several dizzying turns around Hieronymus Bosch’s epic pageants of violence set to Buckethead's spastic music.

Appropriated from one of fundamentalist comic book artist Jack Chick’s short “Chick tracts” designed to illustrate Christian doctrine, a young boy in the city is led astray by an older friend who disparages a sidewalk sermonizer.

A twisted cinematic supercut of short films, visual essays, found footage, remixes and music videos.

A young woman meets the ultimate terror, a supernatural reality-bending maniac with a very large collection of out of print VHS tapes.

THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history - The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.

Primal Screen is a documentary about a person's childhood fear of ventriloquist dummies and dolls due to the uncanny valley.

A musician’s money grab Halloween composition unleashes the haunting sound of his own mother’s death.

Martin Pistorius slipped into a coma at the age of 12. Three years later he woke up but was unable to communicate and no-one realized he was fully aware. This is the true story of his remarkable journey back to life.

SWANS recorded live 2010/2011. Track listing: No Words / No Thoughts (18:50) - Avatar (10:36) - The Apostate (19:31) - Beautiful Child (Fragment) (3:43) - Jim (8:16) - Sex God Sex (7:13) - The Seer / I Crawled (32:16)

A segment from the abandoned documentary film "The Collectors." Shot in 1999 and edited in 2013–2014. The short documentary centers on Pea Hicks, a collector of an obscure electronic instrument called the Optigan.

Four young friends with fracturing relationships take a camping trip to Southern Utah in order to escape an ecological disaster up North. Alone in the desert, they begin to suspect that their reality might not be as it seems, and soon realize they’re being observed by a mysterious cosmic force.

All of the album's songs were made into music videos by various filmmakers, such as the Quay Brothers, Garine Torossian, Grant Gee, and Guy Maddin.

The Universal Language is a new documentary from Academy Award-nominated director Sam Green (The Weather Underground). This 30-minute film traces the history of Esperanto, an artificial language that was created in the late 1800s by a Polish eye doctor who believed that if everyone in the world spoke a common tongue, humanity could overcome racism and war. Fittingly, the word “Esperanto” means “one who hopes.” During the early 20th century, hundreds of thousands of people around the world spoke Esperanto and believed in its ideals. Today, surprisingly, a vibrant Esperanto movement still exists. In this first-ever documentary about Esperanto, Green creates a portrait of the language and those who speak it today that is at once humorous, poignant, stirring, and ultimately hopeful.

When buying a marital aid at an adult emporium, Tom Smith unexpectedly discovers legendary exploitation filmmaker Doris Wishman working behind the counter and their unexpected adventure begins. This short film and amazing tale Rodney Ascher (ROOM 237) about a late-career creative effort by Doris Wishman has never been published until now. Included as bonus material is the final music video referenced in the title, finally edited some 20 years after it was shot.