Darling

The SAS (Section Administrative Spécialisée) were created in 1956 by the French army during the Algerian war to pacify "the natives". During the day, the SAS were used as treatment centres and at night as torture centres, in order to crush the Algerian resistance. The SAS were inhabited by French soldiers and auxiliaries (harkis, goumiers) and their families. At independence in 1962, a few families of auxiliaries stayed on; the vacant buildings were occupied by families of martyrs awaiting the better days promised by the new Algeria. 46 years later, the SAS at Laperrine, in the Bouira region, still exists, a unique place inhabited by people who have taken refuge there. They have been joined by farmers fleeing the terrorism of the 90s. They all live as best they can in a place they did not choose, suffering the consequences of war.

When decorated soldier Captain Colter Stevens wakes up in the body of an unknown man, he discovers he's part of a mission to find the bomber of a Chicago commuter train.

Two sisters have to deal with the traditional issues of growing up and the unusual problem of caring for an unstable father in the drama Qui Plume La Lune?

A young teenaged girl tries to get affection from her cold-hearted mother in this gentle French drama. 14-year old Rosine lives somewhere in northern France where the cold rain continually falls. It is a metaphor for her life. Her mother Marie had her when she was only 16 and now wants little to do with her. She spends most of her nights out on the town. Rosine hungers for her mother's love. She is almost obsessed with getting it. She is frustrated because she never does. One day Pierre, her father shows up from the blue and Mare gladly takes him in. Rosine is a good sport and likes that he takes an interest in her. The brief respite from gloom doesn't last as Pierre soon begins to beat Marie and eventually rapes Rosine. The traumatized girl tries to get her mother to admit the incident, to pay attention to the hurting child, but Marie just doesn't care. Marie has no choice but to run away from home and make her own way.

Christmas approaches and the Lévesque family has once again gathered for their traditional celebration. But this time there is a mixture of emotions running through each person. The patriarch of the family suffers from a combination of Parkinson’s Disease and heart failure. His life reduced in every way, the end approaches and there are unhappy memories of his once violent and authoritarian past. But his wife, ten children and many grandchildren try to maintain a semblance of the Christmas season.

Marie lives alone with her 16 year old son. She struggles to get by with this teenager who gets deeper and deeper in violence and juvenile delinquency. Speaking sentimentally, things are not going better: the relationship with her lover has come to an end. It may seems depressing, but Marie doesn’t give up, even if love seems to be an inaccessible dream. But love, there is. We can feel the affection of this mother for her troublesome child, thanks to Mathilde Seigner, who gives an astonishing performance. A subtle directing, a strong and captivating story, in short: a must see.

At 18, Claire is torn between swim practice and the pangs of first love. The elderly and eccentric Maurice Reverdy takes her in in his big house, but the girl carefully avoids this faraway figure, who is none other than her grandfather. Proud, rebellious, solitary, they represent two generations that are simultaneously attracted to and repelled by one another. Their lives will intertwine, as one seeks out her future and the other is tormented by his past.