Greta Gratos

The film returns to the origins of the creation of the State of Israel (from 1896 to 1948) and highlights the responsibility of the Western World.

A teenage girl, Norah (Marie Kremer), living with her depressed father, Jean-Michel (Thierry Lefevre), in Luxembourg, obsesses over the whereabouts of her missing mother, who left them both when Norah was still a newborn. Norah is a misfit and devotes her energy to helping others and conversing with an imaginary friend. But, when she receives information pertaining to the possible location of her mother, Norah has to seriously think about inviting the woman back into her life.

Alex, a professional tourist guide, is asked to welcome Sacha,a young woman of Russian extraction. She has participated in a contest and, consequently, won a one-week stay in Geneva. From the outset, the young woman shakes up Alex's plans and drags him along with her through a risky and hazardous treasure-hunt at the confines of Eastern Switzerland. Wanted by the police and hunted down by the mafia, Alex and Sacha decide to shake off their pursuers by moving about more slowly than the others: they then advance through lakes and other roundabout ways. While Alex and Sacha sink deeply into an ever stranger Switzerland, they will observe, discover, oppose and finally love each other to the vanishing point.

Two housewives discuss philosophical themes (actually an updated dialogue between Plato and Socrates) while doing the house work. The husband of one of them rehearses his part in a theatrical play, reading a 20th century philosophical text about totalitarianism.

On 11th January 2008, hired by the City of Cleveland, lawyer Josh Cohen and his team filed a lawsuit against 21 banks, which they held accountable for the wave of foreclosures that had left their city in ruins. Since then, the bankers on Wall Street have been fighting by with all available means to avoid going to court. This film is the story of that trial. A film about a trial that may never be held but in which the facts, the participants and their testimonies are all real: the judge, lawyers, witnesses, even the members of the jury - asked to give their verdict - play their own roles. Step by step, one witness after another, the film takes apart, from a plain, human perspective, the mechanisms of subprime mortgage loans, a system that sent the world economy reeling. A trial for the sake of example, a universal fable about capitalism

Documentary in 7 segments whose theme is "Multicultural Switzerland". The segments are: "Raclette Curry", "Was Wie Wann Wohin Gehört", "Home Alone?", "Hopp Schwyz", "Mixed Up", "Making of a Jew" and "Train Fantôme".

In the spring of 1970 a small village in Valais experienced unusual turbulence. Is it because of the federal vote on women's suffrage? Or in the upcoming foreign infiltration initiative? No, it's worse: the brass band is falling apart! Half of the village blames Aloys, the other half blames Pierre. What begins as a musical conflict soon leads to a political conflict and even extends to love.

This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do...

Lionel is a happy gay man with a great career and an open-minded family that accepts his loyal lover, Serge. But things start to unravel when he meets a pretty Polish immigrant who is about to be deported and decides to marry her.

A young man tries his way in boxing, supported by a coach. He meets a girl, falls in love and she becomes pregnant.

Imani is an underage African teenager living in Lausanne without papers. To pay off the debt incurred by the cost of her journey, she is forced into prostitution. Soon, Imani discovers that her younger sister has joined her.

Following a group of Swiss children in their first four years of school

80-year-old Jean-Luc is set to play Don Quixote. It's the role he's been waiting for to bid farewell to the stage. Given his health concerns, the production team hires an understudy. Jean-Luc becomes convinced that the understudy is trying to take his place.

For millennia, women have cared for the deceased: as death-bed vigils, as undertakers, as guardians of funeral rituals. Then everything changed. Since we no longer die at home, men took over. But today a growing number of women are making a comeback. For the good of the deceased?

Between 1950 and 1966, thousands of men set off into the high mountains of the Valais, into a primitive landscape of rock and ice. Here, they erected a temporary civilization. From here, they blasted the rock beneath the Matterhorn and other towering peaks to dig a 160 km-long labyrinth of tunnels to bring water from 35 glaciers to the world's highest dam: Grande Dixence. Miners and intellectuals such as the writer Maurice Chappaz retraced their steps through this endless black abyss in search of the places where the overcrowded barracks once stood, of which only a few ruins remain today. This is where they surpassed themselves.