Séverine Barde

This coming-of-age drama deals with a young man, realizing who he really is and which things he will never do...

Lionel is a happy gay man with a great career and an open-minded family that accepts his loyal lover, Serge. But things start to unravel when he meets a pretty Polish immigrant who is about to be deported and decides to marry her.

80-year-old Jean-Luc is set to play Don Quixote. It's the role he's been waiting for to bid farewell to the stage. Given his health concerns, the production team hires an understudy. Jean-Luc becomes convinced that the understudy is trying to take his place.

Two housewives discuss philosophical themes (actually an updated dialogue between Plato and Socrates) while doing the house work. The husband of one of them rehearses his part in a theatrical play, reading a 20th century philosophical text about totalitarianism.

On 11th January 2008, hired by the City of Cleveland, lawyer Josh Cohen and his team filed a lawsuit against 21 banks, which they held accountable for the wave of foreclosures that had left their city in ruins. Since then, the bankers on Wall Street have been fighting by with all available means to avoid going to court. This film is the story of that trial. A film about a trial that may never be held but in which the facts, the participants and their testimonies are all real: the judge, lawyers, witnesses, even the members of the jury - asked to give their verdict - play their own roles. Step by step, one witness after another, the film takes apart, from a plain, human perspective, the mechanisms of subprime mortgage loans, a system that sent the world economy reeling. A trial for the sake of example, a universal fable about capitalism

In the spring of 1970 a small village in Valais experienced unusual turbulence. Is it because of the federal vote on women's suffrage? Or in the upcoming foreign infiltration initiative? No, it's worse: the brass band is falling apart! Half of the village blames Aloys, the other half blames Pierre. What begins as a musical conflict soon leads to a political conflict and even extends to love.

Greta Gratos, born a witch, became a fairy, is a diva: magnetic, strange and poetic. A female figure interpreted by a man, she inevitably creates trouble. A fictional character, embodying the imagination of its creator, actor Pierandré Boo, she is at the same time a singer, actress, columnist and spokesperson for the causes that matter to her.

Following a group of Swiss children in their first four years of school