Peperina

A separated woman faces her future and revises her goals.

An avant-garde theater troupe works through a series of unrelated episodes on en empty sound stage.

A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.

A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.

A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.

A businessman in a good economic position spends his leisure time making asados, going to the races or going out with friends. He has a wife and a lover, but he can't satisfy either of them.

Following the death of a close friend, a woman caught in an unhappy marriage looks for ways to improve her life.

It's about three women, three stories, or perhaps a single story in different projections of time and space. The Mistress wishes to unravel the meaning of being a woman is the victim of Hollywood. Ana is the product of a society ruled or dominated by men.

A group of musicians, prostitutes, gamblers, and laborers, react to the arrival of a tango pianist at a saloon.

Dreams and reality mix-up in the life of a middle class woman in his 20s who is depressed and distressed.