Crónica de una señora

A separated woman faces her future and revises her goals.

An avant-garde theater troupe works through a series of unrelated episodes on en empty sound stage.

A turbulent era in Argentine politics is highlighted in this well-wrought drama, set in Buenos Aires at the end of 1945, about Clara (Graciela Borges), a young, half-Jewish woman awakening to the reasons behind the political conflicts of her time and place. Clara's father was a Communist who fought the Nazis in Argentina and possessed a list of the top Nazi exiles and their contacts. Through a former lover, Clara -- a successful broadcast journalist -- begins to see her Jewish roots (and the leftists) in a whole new light. Meanwhile, the political storms sweeping through Argentina are setting the stage for the Peronist government to come.

A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.

A woman who has been traumatized by her brother's accidental death from electrocution in the subways of Buenos Aires learns to readjust.

A businessman in a good economic position spends his leisure time making asados, going to the races or going out with friends. He has a wife and a lover, but he can't satisfy either of them.

It's about three women, three stories, or perhaps a single story in different projections of time and space. The Mistress wishes to unravel the meaning of being a woman is the victim of Hollywood. Ana is the product of a society ruled or dominated by men.

The Galgo brothers are inseparable macho loners living in the heart of Andalucia at the turn of the century. One day Rafael comes home with Gracia, who is to be his servant and lover. They become trapped in a hell of their own making.

A group of musicians, prostitutes, gamblers, and laborers, react to the arrival of a tango pianist at a saloon.

Dreams and reality mix-up in the life of a middle class woman in his 20s who is depressed and distressed.

Semi documentary film that mixes the recital given by Serú Giran at the River Plate stadium at the end of 1992 with the story of a fan of the group in which Charly García was inspired to write the song Peperina.