Air qui erre

Camera movements on “tamaris”, a plant that grows by the sea on the Ile de Ré, painting and Indian ink.

Camera movements on a pine (“Songshù” in Chinese) at dusk when the light is so soft. Film with nuanced hues and Chinese painting graphics.

The nature of form is to hide the object rather than define it, and the nature of light is to conceal substance rather than to delineate.

A travel film.

Study of the fragment, the word, the written word... some are in French, others in Greek, without translation. For those who do not understand Greek, magic of the unknown, word-drawing, form in itself. The beauty of the texts means that they do not need images. It is not an illustrative film, it is a film about the fragment that reveals itself... reappears... a film based on the superimposition of images... a film in perpetual motion, nothing stops... It is a film about the sensuality which emerges from the poems... images of a moving matter where fantasies can slip in. It is a film about the poetry of love, the violence of passions, the tears... Sappho tender and violent, philosopher and poet... Sappho who comes back to us, present, beyond the 2700 years that separate us.

Super 8mm / color / silent / 1S / 3' 00

A nod to Germaine Dulac. I filmed brass discs with camera movements. The discs deform and create new shapes; sometimes they glimpse each other, overlapping to create abstract forms. The sound is computer-generated.

Experimental, Super 8