The Backstage Slap

Set in a breath-taking primitive landscape in the mountainous provinces of Vietnam, the film tells the story of a Hmong tribe girl named Pao. She was raised by her stepmother, for her real mother left her when she was little. One day, her stepmother dies in an accident, and she begins to track down her birth mother. But her journey turns out to disclose an unsealed sentimental drama of the family in the past.

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare form the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

A family living in poverty faces financial difficulties while striving to educate their daughters. The mother resorts to extraordinary measures to procure the traditional silk dresses needed for her kids to attend school.

The film is set in the winter-spring battle that lasted 60 days and nights from late 1946 to early 1947 in Hanoi, the story follows the militiaman Van Dan and his love story with the piano-loving lady Thuc Huong. When others had evacuated to the war zone, they decided to defend the capital that had been devastated by bombs and bullets, despite the dangers that awaited them.

Soon after her wedding, newlywed Duyen's excitement begins to fade as she realizes her young husband is not only naive but overly occupied by his job and doting mother. As her marriage goes unconsummated and her emotional isolation grows, she reaches out to her closest girlfriend, Cam, who secretly desires her, but pushes her into the arms of a dangerous and provocative suitor. The resulting infidelity puts Duyen in a precarious love triangle, challenging her notions of conventional relationships and also the stability of her new family.

At the close of the Sino-Vietnamese border war, a journalist travels to Lạng Sơn in northern Vietnam—the hometown of his former girlfriend—to report on the situation there.

The dynamics of a Vietnamese rural village change when an urban woman returns to the village she originally belonged to and begins a love triangle.

The year is 1950 and an English couple, Louise and Michael, have arrived in French-occupied Indochina to cover a story on a French-owned rubber plantation. They are to be the guests of the enigmatic plantation overseer, Daniel, and his beautiful yet difficult daughter Viola, at their elegant, decaying villa amid a tropical jungle. Michael and Louise hope that some time spent working in an exotic location will help reignite the passion in their floundering marriage. Instead they become unwittingly involved in the personal, sexual and political tensions of their hosts. Daniel is desperate to hold onto a way of life no longer possible in a country struggling for independence, bringing him into conflict with not only his daughter but also with his adopted country.

The film recreates the situation as the struggle against French colonialism from 1945 to 1954. Tam is a young woman who plays Vietnamese traditional one-string zither and sings Xam folk songs. After helping a revolutionary soldier, her grandfather is shot dead by the enemy. Tam follows the revolutionary path, taking on the mission to Con Dao Island as a doctor to treat prisoners and work with the revolutionary organization.

A face reading tells Lan Anh that she has a face that will bring about the death of her lovers. Further confirmed after the tragic death of her boyfriend, Lan Anh grows reclusive and rejects any romantic advances towards her.

Forced into collaborating with his corrupted bosses, a bank director and his lover start to devise an intricate escape plan in case he gets prosecuted.

At the behest of her ailing father, a woman reluctantly tries to forget the lover she has been awaiting for years.

To faces many difficulties working as the director of the A1 hydropower project. Workers do not believe in leadership, so they quit their jobs. To boldly proposes a new way of doing business, paying attention to workers' lives and improving technology. The workers believe in him, returning to the construction site with a new attitude. Han, To's friend reports to the Minister about him with bad intentions, spreading news about his relationship with female engineer Thu Hien. To overcomes those barriers by working hard. The Minister has created all conditions for him to be creative and work.