Nada pertenece a la memoria

Amparo is 18 years old and lives in the city of Iquique, in northern Chile. Among confusion, she must deal with the discovery of her father's secret life, feel love for the first time, decide whether to leave her hometown to study, and even realize that perhaps friendship is not meant to be forever.

Maria travels to Puerto Williams to star in a movie. But the film crew won't be able to arrive due to a strong storm. Alone, she'll seek help for severe back pain, which will lead her to discover life in the southernmost city in the world and a pending story in her life.

More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.

Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.

Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.

Rafael, an old butler of a decadent farmhouse, lives with his landlord in that space. He develops a series of actions and daily routines that resume a life and a glorious family past. These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that environment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.

Ten years after her daughter was the victim of a hate crime, brutally beaten in the streets of Santiago for being a lesbian, Nancy is asked to participate in an unsolved mysteries TV show that will recreate the incident. Nancy, a hairdresser who has worked very hard to move on with her life, will have to decide if finding justice for her deceased daughter is worth exposing herself and her family on television.

When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.

During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.

After reading in the newspaper that a newborn baby was found in a dumpster, a teacher becomes obsessed with giving it a proper burial.

Is set in the figure of a transhumant muleteer who once a year takes more than a thousand sheep up into the heart of the Andes Mountains. Accompanied by six men and ten dogs, he crosses forests, cliffs and rivers in search of food for his livestock, regardless of the risk to his life that this effort entails.

In the south of Chile on the Chiloé Island, Carlos Ruiz works as an operator in an industrial cannery. He is one of the cogs that makes the machine turn, except when he is a machine himself, like when he delivers blows on the punching-ball. A machine that dreams of glory. Because in his other life, Carlos is little-by-little becoming “the Guru”, who ceaselessly trains in what little leisure time he has so that he can win his match.

Leo Quinteros music is the base to this film in which filmmakers, actors and actresses and other creators reunite in different hotel rooms.

The title comes from Sergei Yesenin's last poem before comiting suicide. Using Virginia Woolf's last letters as a base, this film is meditation on the power of the word and its undertsanding and the the last moments before saying "goodbye".

Jorge becomes obsessed when he discovers that he has the same name as a young man who died. Upon investigating, he discovers that they also share an obvious physical resemblance. To Josefina, the young man's mother, the encounter with this man awakens a ghost she thought was asleep.

The clouds over a couple give rise to a story about the small everyday gestures of a world that stops around the disturbing spaces of everyday life.