Adios amigo mío, sin gestos, sin palabras

Amparo is 18 years old and lives in the city of Iquique, in northern Chile. Among confusion, she must deal with the discovery of her father's secret life, feel love for the first time, decide whether to leave her hometown to study, and even realize that perhaps friendship is not meant to be forever.

Maria travels to Puerto Williams to star in a movie. But the film crew won't be able to arrive due to a strong storm. Alone, she'll seek help for severe back pain, which will lead her to discover life in the southernmost city in the world and a pending story in her life.

Alfonso is an old farmer who has returned home to tend to his son, who is gravely ill. He rediscovers his old house, where the woman who was once his wife still lives, with his daughter-in-law and grandson. The landscape that awaits him resembles a wasteland. Vast sugar cane plantations surround the house, producing perpetual clouds of ash. 17 years after abandoning them, Alfonso tries to fit back in and save his family.

Daniel and Alejandra, a working class couple in their late 30s, move to the countryside near the Andes Mountains to begin the next chapter of their life together. Alejandra is ill, and Daniel looks after her, his soul mate. He scratches out a living doing farm work, while dreaming of buying his own plot of land. Over the course of a year, director Alejandro Fernández Almendras captures a life of love and frustration as Alejandra’s condition worsens, and Daniel can do nothing but keep on struggling.

As she and her family embark on a short vacation, a young Chilean girl slowly comes to the realization that her parents might be splitting up.

Lucía is a young woman who works as a seamstress in a factory and lives with her father in an old house in Santiago, Chile. The film occurs in December 2006 during the weeks that take place from the ex-dictator Pinochet’s funeral to Christmas Eve. Through the simple observation of Lucía’s daily life, the spectator is allowed access into a hidden and neglected world of a generation of Chileans striving to recover from the military dictatorship.

Rafael, an old butler of a decadent farmhouse, lives with his landlord in that space. He develops a series of actions and daily routines that resume a life and a glorious family past. These actions and gestures will become the only way of sustaining that home and those lives humbled in memory. With the decline of that environment, Rafael will be underdog of his place and his own story, and will be forced to leave in an uncertain trip, towards the last of his possessions.

Two women who have spent their whole lives together must deal with the illness affecting one of them. The sick woman decides not to have treatment and they move into a cabin in the woods to wait for the day that death will come into their lives. The situation sees the resurfacing of the love that time had buried under the routine. Gradually their relationship will strengthen as death bides its time outside the cabin.

When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.

During one hot summer day, little things happen to the visitors and workers of an old thermal resort in southern Chile. Julieta, Francisco, Isa, Rodrigo, Ignacio, Mariana, Muriel, Gabriela, Eliseo, Norma, Alejandra and Claudio experience the long vacation hours in nature, sleeping in the sun, learning how to drive, cleaning the house, kissing for the first time, swimming at night or just walking and talking, while the day slowly unravels into small fragments of happiness and discovery.

After reading in the newspaper that a newborn baby was found in a dumpster, a teacher becomes obsessed with giving it a proper burial.

Is set in the figure of a transhumant muleteer who once a year takes more than a thousand sheep up into the heart of the Andes Mountains. Accompanied by six men and ten dogs, he crosses forests, cliffs and rivers in search of food for his livestock, regardless of the risk to his life that this effort entails.

In the south of Chile on the Chiloé Island, Carlos Ruiz works as an operator in an industrial cannery. He is one of the cogs that makes the machine turn, except when he is a machine himself, like when he delivers blows on the punching-ball. A machine that dreams of glory. Because in his other life, Carlos is little-by-little becoming “the Guru”, who ceaselessly trains in what little leisure time he has so that he can win his match.

A stately home, built in 1922, is now a dilapidated stage where memories and history are present in the old home movies starring those that once inhabited it.

Based on the book by author Marcelo Matthey, this short film narrates his own life in a style reminiscent of school compositions. His constant strolls through streets, houses and beaches are recorded in notes of what he saw, felt or thought during these wanderings or moments, but almost only recalling the processes, the timeline in which things occur and come to mind, the trail of associations coming one after the other, like the steps of a person walking along a street. Immediate impressions, fleeting moments normally lost in time and which are captured in the images and sounds of this film.

A young girl must fulfill a mission entrusted to her by the moon: to find her father's letter. Wandering the streets of her neighborhood, she begins collecting objects in search of answers. When she gets lost, she must now find a new path.