One Night at the Tabarin

A customer (Karl Valentin) tries to buy a record in a record store but can not decide what he actually wants. The saleswoman (Liesl Karlstadt) tries to help him – which is in vain, as the customer eventually damages various records and even a complete cabinet during his visit.

KAREL LAMAČ (1987-1952), who worked in Germany for a long time, was forced to leave for France and then Great Britain before Hitler's fascism, where he continued to direct films. His film Švejk is Destroying Germany from 1943 was created under the influence of wartime circumstances and was intended mainly for a British audience. Perhaps this is also why the tone of the original Czech hero of Hašek's humorous original deviates from his traditional way of portraying him. He transfers him to the wartime reality of the time and, through a series of coincidences, makes him a military servant of the Gestapo commander, which gives Švejk the opportunity to save many people from deportation to concentration camps. Lamač is therefore not driven by the motive of an authorial interpretation but rather by the need for propaganda. This is also emphasized by Foreign Minister Jan Masaryk, whose opening words were added to this comedy in 1947, when it was released into Czechoslovak film distribution.

Anny Brabcová is Sabine Veldenová's maid. She would very much like to get the main role in the new musical "The Pink Letter", in which Veldenová plays. Anna's brother, the easy-going postman Jarda Brabec gets the lyrics to the most famous song of the whole musical "The Pink Letter" from his sister and decides that Anna will sing it at the postal academy right in front of the Minister of Posts, where she will reap great success. Later, when the spoiled star Veldenová ends her role in the musical, the director of the theater Bernhard, with whom Anny is in love, has no choice but to announce an audition for the role.

After a young man is arrested for a crime he didn't commit, the daughter of the local tavern owners must spring to the rescue.

One of the popular Weimar-era musical comedies not released in the US until after the Nazi takeover, this one has a Cinderella-type plot.

Film by Karel Lamac.

The daughter of the Parisian countess Lafitte, named "Baby", is supposed to go to an English boarding school, but she's much more interested in variety shows. Nevertheless, she travels with her friend Susette to London, who also wants to make a career for herself as a showgirl. During the journey, Baby is mistakenly considered to be a showgirl and she does nothing to dissuade two young English lords from believing so. The girls continue to live under false pretenses even when they arrive in England, with Baby being a soloist with the group "Babies" and Suzette passing herself off as the Contessa Lafitte for school exams. At the end -- a double marriage.

Alena Skalická, the owner of the "Krásná skála" estate, returns to the property after years abroad to take over its management herself. Her uncle Skalický and Engineer Miloš Miláček, who have managed the estate until now, are planning a grand welcome. The gamekeeper, Štětivec, is set to deliver the welcoming speech, and Head Forester Eisenkulka is rehearsing him. Štětivec’s wife, the sharp-tongued Barbora, is terrified that her Matěj might do something foolish.

Fatme has quite the talent for getting herself into trouble and escaping with her head intact. But when she's caught rifling through Caliph Omar's possessions, she finds herself in serious trouble. News of a theft makes the rounds and now the caliph's men are after her. Fortunately, she's able to find refuge with a sheikh, who isn't quite so thorough in checking his possessions. And it's thanks to him, that Fatme is able to get away with her newly acquired goods.

Tommy Fikejs and Ferda Říha, two perpetual students, are completely broke. They are up to their necks in debt, their landlady is kicking them out, and there is no hope of securing another loan. Tommy does have a wealthy uncle—an automotive tycoon—but the man refuses to be "touched" for money, whether by persuasion or coercion, despite Tommy bombarding him with pleading letters.

Helena is a 1924 German silent drama film directed by Manfred Noa and starring Edy Darclea, Vladimir Gajdarov and Albert Steinrück. The film was based on the poem the Iliad by Homer. It was released in two separate parts: The Rape of Helen and The Fall of Troy. It was produced by Bavaria Film at the Emelka Studios in Munich. The film was made on an epic scale with thousands of extras, and large sets which rivalled those of the larger Berlin-based UFA.

Czechoslovakian opera star Jarmila Novotná plays the title role in the Austrian tunefest "Frasquita". Based on a Franz Lehár operetta, the story is the usual frothy nonsense. Dolly (Charlott Daudert) is engaged to marry Harald (Hans Heinz-Bollmann), but she's really in love with Hippolit (Heinz Rühmann). Harald is likewise enamored of another, namely Frasquita (Jarmila Novotná).

A Royal navy Commander is tricked by a pretty girl who is working for the Nazis. She tricks him into revealing some military secrets and he is court martial. He vows to track her and her accomplices down.

František Procházka was retired early because his soldiers sang a forbidden song about a c. and k. field marshal. Since he is a soldier in body and soul and his request for reactivation is rejected, he decides to visit his nephew Rudi. Upon arrival, he finds the uniform of the secretly expected field marshal in his nephew's room and, after putting it on and walking through the corridors of the garrison in it, he has no choice but to complete the entire play to the end. With his performance, he helps his nephew to get married, convicts the wanted spy and is eventually promoted to the real marshal and called back into service.