2/11: Day of the Dead

Mercedes is obsessed with climbing to the attic of her house. That place hides a mystery. Elsewhere, four friends receive a call from Adrián, a friend they haven't seen in a while. Adrián manipulates his four friends into playing a summoning game one last time. Mercedes finally enters that dark attic. The game that will unite these stories is called 5AM and is played five minutes before midnight.

Almost all the employees of a spicy sauce factory are slaughtered. Responsible for this drama: hitman Victor Patibulo, notorious for sucking on a pacifier ever since his favorite poodle got killed. One body is absent among the dead: big boss Heraclito, who had just created a revolutionary new sauce. Is there a connection? There’s only one man who’ll be able to find out: the handsome, strong and clever Marcello Risk, star of the anti-terrorism unit K.K.D.B.B. Together with his sidekick, Guadalajara Man, big fan of martial arts and bananas, he’ll try to solve the mystery. But there are many weird and wonderful enemies on their path, their boss is mind-bogglingly dumb and their residential science genius hasn’t eaten in weeks. Cutbacks, you know!

Running away from his criminal history, Daniel returns to his hometown of Redemption, a small town near Argentina. He reunites with his old flame Elisa and childhood friend Miguel, hoping to establish a new life for himself. However, his old gangster boss, Lucas, plans to hunt him down and force him to confront his past. Also starring Matias Sansone and Carlos Leyes.

In the violent Buenos Aires suburbs: Two opposing police officers, an ex-convict, and a suicide at a collision point will cross paths, falling into a spiral of violence and twists and turns, crossing that thin line that puts everything at risk and in danger—that thin line that separates life from death.

A writer must solve a crime which is similar to the end of his next and yet unpublished novel, making him the prime suspect.

Detective DiBiasse (Eric Roberts) goes to his last crime scene at the Mansion of a wealthy, paranoid recluse named Alan Schaeffer (Dylan Walsh). He brings with him a new detective and starts explaining the strange story of Alan Schaeffer. A man who recently insisted that one of his creations was coming to kill him, but had no evidence to back up his claim. Surrounded by security that reportedly sees nothing, nobody can help Alan Schaeffer and so the police moved on. Now the Detective is back at this mansion with a horrible, brutal crime scene and no suspect in sight.

Bruno quits his job after a divine revelation: God assures him that becoming a stand-up comedian is the only way to achieve wealth, fame and Carla’s love.

Benavidez is a frustrated art teacher, argues with his wife and seeks refuge in his psychiatrist's house. He becomes a victim of the house system, and at the end of the road he will change his life and his destiny forever.

A documentary maker, a team of researchers in dead languages ​​and rites, a priest and a cameraman enter a factory that has been abandoned since 2001, when an employee murdered 16 work colleagues and subsequently, in the face of police persecution, killed himself. The police concealed evidence and closed the case as mass murder, but several testimonies, forensic photographs and other studies showed that the killer had practiced Enochian magic.

A projectionist to enter a picturesque cinema that is about to be demolished to remove his belongings. The old man enters a hidden storage room and begins projecting old film reels, one by one. A strange presence prevents the workers from finding it. As each roll is projected, the countdown begins... The explosion is imminent.

Death Club tells the story of a group of friends living in the margin of society. Following the recent suicide of one of them as part of an act of "Art", they decide to create altogether some "near death" experiences in order to feel alive. They become obsessed and addicted to this dangerous game and it leads them automatically to a tragic end.

Harry, an American actor, travels to Rosario, Argentina in search of some iconic filmmaker. Harry hopes to be directed by the filmmaker's latest independent film. The director is nowhere to be found. This leads to mistaken identities, mixed up situations, characters and misunderstandings, leading Harry into a Kafkaesque, no-win situation as he gets lost in Rosario.