Strauss: Die Fledermaus

Janacek's opera performed in Vienna on April 11, 2016

Tsarist Russia: Lisa lives apart from her husband Fedya, who drinks too much, wastes his money and hangs around with gypsies. Her mother is pushing for a divorce, especially as her childhood friend Viktor Karenin, a well-to-do and wealthy man, loves her and would take her as his wife. Lisa's sister Sasha, on the other hand, advises her to keep Fedya...

Strauss’s elegant romance brings the glamour and enchantment of 19th-century Vienna to cinemas worldwide in a sumptuous production by legendary director Otto Schenk that “is as beautiful as one could hope” (The New York Times). Soprano Rachel Willis-Sørensen stars as the title heroine, a young noblewoman in search of love on her own terms. Radiant soprano Louise Alder is her sister, Zdenka, and bass-baritone Tomasz Konieczny is the dashing count who sweeps Arabella off her feet.

Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.

A new highway, a new chairlift, the election of the new mayor and again a lot of alcohol.

Austrian version of the novel "12 Chairs". While on vacation with her grandfather in Vienna, Samantha learns that she's inherited something. But upon arriving in Carinthia, Grandpa and his granddaughter discover that the inheritance appears to consist of only 13 old chairs. Only after the auction do they learn that money is hidden in one of the chairs. Grandpa now tries every means possible to secretly acquire it.

Felicity Lott, Anne-Sofie Von Otter, and Kurt Moll star in this production of Richard Strauss' opera, staged in Vienna in 1994. A romantic comedy of errors. Princess von Werdenberg must hide her affair with Octavian from her family; when he disguises himself as a chambermaid to avoid scandalizing the Princess, he is pressed into presenting a gift to Baron Ochs von Lerchenau, who has arrived to propose marriage to Sophie von Faninal. However, Ochs soon finds himself infatuated with the chambermaid, much to Octavian's chagrin, which proves to be only the first of a long series of romantic misunderstandings. This production of Der Rosenkavalier is performed by the Vienna State Orchestra and Chorus, under the direction of Carlos Kleiber.

As renowned for its harmonious overture as for its romantic storybook characters, this three-act masterwork features some of the composer’s most groundbreaking and unforgettable music, as well as a theme the young Wagner would revisit again and again later in his career—the redemptive and transcendent power of a woman’s love. The enchanting plot harks back to medieval history: Wolfram is a lovesick troubadour who desires the virtuous Elisabeth. She, however, has eyes for another: the rebellious knight Tannhäuser, who in turn cannot get over an overwhelming sensual experience in the realm of the goddess Venus, and is banished for singing her praises at court. Only saintly Elisabeth’s death can atone for his misdeeds.

Small war among pensioners: The charming chaotic Walter Hofer and the pedant Eberhard Gatzweiler have had a love-hate relationship for decades. Not even their grandson Martin can change that. During the lovable tug-of-war for the favor of Martin's attractive teacher Hanna, the waves get even higher, but Hanna has completely different worries.

In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?

Through the eyes of psychologist Thomas Meiberger, we examine the mental, social and psychological factors of how and why criminal acts are committed. Even in cases that seem unsolvable, Meiberger is able to follow a thread back to the suspect by interpreting the sequence of events, the victim's behavior and subtle details that are invisible to others.

Hannes Engel is a successful radio presenter in the countryside. By chance, he is heard by program director Conrad Scheffer one night, who immediately recognizes the potential of the cheeky presenter and wants to sign him up as the new figurehead for his late show, which is in a ratings slump. But this proves to be more difficult than planned. First of all, they have to get rid of the old show host, then Engel's wife has just been thrown out of one of the station's productions, and Engel is also being pursued by a sensationalist tabloid journalist who never misses a chance to drag Engel through the mud....

The film consists of several small episodes that take place in and around Munich.

A comedy directed by Frank Strecker.