Die Fledermaus

Janacek's opera performed in Vienna on April 11, 2016

Strauss’s elegant romance brings the glamour and enchantment of 19th-century Vienna to cinemas worldwide in a sumptuous production by legendary director Otto Schenk that “is as beautiful as one could hope” (The New York Times). Soprano Rachel Willis-Sørensen stars as the title heroine, a young noblewoman in search of love on her own terms. Radiant soprano Louise Alder is her sister, Zdenka, and bass-baritone Tomasz Konieczny is the dashing count who sweeps Arabella off her feet.

Burgtheater recording, based on Shakespeare's play.

As renowned for its harmonious overture as for its romantic storybook characters, this three-act masterwork features some of the composer’s most groundbreaking and unforgettable music, as well as a theme the young Wagner would revisit again and again later in his career—the redemptive and transcendent power of a woman’s love. The enchanting plot harks back to medieval history: Wolfram is a lovesick troubadour who desires the virtuous Elisabeth. She, however, has eyes for another: the rebellious knight Tannhäuser, who in turn cannot get over an overwhelming sensual experience in the realm of the goddess Venus, and is banished for singing her praises at court. Only saintly Elisabeth’s death can atone for his misdeeds.

Felicity Lott, Anne-Sofie Von Otter, and Kurt Moll star in this production of Richard Strauss' opera, staged in Vienna in 1994. A romantic comedy of errors. Princess von Werdenberg must hide her affair with Octavian from her family; when he disguises himself as a chambermaid to avoid scandalizing the Princess, he is pressed into presenting a gift to Baron Ochs von Lerchenau, who has arrived to propose marriage to Sophie von Faninal. However, Ochs soon finds himself infatuated with the chambermaid, much to Octavian's chagrin, which proves to be only the first of a long series of romantic misunderstandings. This production of Der Rosenkavalier is performed by the Vienna State Orchestra and Chorus, under the direction of Carlos Kleiber.

In October 1936, a high official in the Austrian government receives a letter from a German Jewish woman with whom he had an affair in 1925 asking him to help place an 11-year-old, half Jewish boy in a good Austrian school. Is the child his? Should he help? And above all should he help now, at a time when Nazis are becoming powerful in Austria?

Through the eyes of psychologist Thomas Meiberger, we examine the mental, social and psychological factors of how and why criminal acts are committed. Even in cases that seem unsolvable, Meiberger is able to follow a thread back to the suspect by interpreting the sequence of events, the victim's behavior and subtle details that are invisible to others.

An old, rich bachelor learns that he has a granddaughter ...

Hannes Engel is a successful radio presenter in the countryside. By chance, he is heard by program director Conrad Scheffer one night, who immediately recognizes the potential of the cheeky presenter and wants to sign him up as the new figurehead for his late show, which is in a ratings slump. But this proves to be more difficult than planned. First of all, they have to get rid of the old show host, then Engel's wife has just been thrown out of one of the station's productions, and Engel is also being pursued by a sensationalist tabloid journalist who never misses a chance to drag Engel through the mud....

The film consists of several small episodes that take place in and around Munich.

Stories about citizens of a big city who encounter a variety of fates as a result of their difficulties in communicating with each other.

An all-knowing interlocutor guides us through a series of affairs in Vienna, 1900. A soldier meets an eager young lady of the evening. Later he has an affair with a young lady, who becomes a maid and does similarly with the young man of the house. The young man seduces a married woman. On and on, spinning on the gay carousel of life.