Pirika on Film

People of different nationalities from Central Europe attempting to reach the West by crossing the controls and “European” rules.

A carnival is in town. Workers start to build the stalls and tents. Players practice their act. Roma, peasants and grifters put up their own boots. After they pay taxes to local officials, they get a muddy ground for their stalls.

The TV series is about a couple of guys, one good and naive, the other a liar and a manipulator, trying to make a living the best way they can. Along the way they meet a guy who eats glass, metal and plates, a couple of strippers, and a lot of ordinary people. Žilnik's dry and realistic approach is filled with humour and documentary parts with some real peasants and working-class people. The original three-part miniseries lasting 220 minutes is lost, only the 102 minute long restored series turned into a film is available.

A moulder wants to live a happy life, but the circumstances in his factory are such that everyone is looking for an opportunity to grab the money before the ship sinks down to the bottom.

The aged rocker Igor works as a journalist and DJ at the "Radio Student" in Ljubljana. He notices that the janitor Miha works for the police, tapping the walls and observing the journalists who are critical of the regime. After a clash with his editor, Igor decides to leave for Greece by his old bike DKW from 1938, via Bosnia and Serbia. Young Rahela joins him on the trip. Traveling through Yugoslavia, Igor becomes involved in unexpected turmoil: Milosevic's "antibureaucratic revolution" starts in Serbia and Vojvodina.

The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.

A teenager arrives from Germany to his grandparents in Novi Sad. He can't adjust to Yugoslavian schools, system or slow way of life, so he asks his folks to go back, but his parents insist on him staying. What now?

In the center of this docudrama are the events and tensions of the shooting of a feature film about Belgrade in the future. The director sets up unrealistic requirements to the producer, who breaks the law by overstepping the budget. During a court trial where the crew members are at the witness stand, we follow up the drama of how a film is made.

A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.

A global portrait documenting the year's events, Cinetracts '20 features the work of an international lineup of 20 filmmakers. Capturing the zeitgeist in their own backyard, the artists' short films are the culmination of a year-long residency project.

Inspired by Karl Marx's "Das Kapital", three men and a girl named Jugoslava decide to wake up the conscience within the working class and peasants. Faced with the primitivism and a lack of morale, their revolution fails and the girl is the one to be sacrificed as a witness of their unsuccessful attempt.

A Norwegian TV-worker tries to prevent her son, which she has with her former husband, a Serb now living in Jugoslavia, to become a soldier in the starting civil war.

A multinational company owned by Mrs Judit Angst is facing financial difficulties: she decides to hire a group of young anarchists to fake her "kidnapping". After a couple of weeks spent in confinement she will be able to justify the downfall of her company before the people and at the same time to gain the status of the opponent to the destruction and chaos.

Belgrade in 2041 is a deserted city that looks like a dump yard. A few old men try to bring up a group of young girls in the old, traditional way of their Yugoslav ancestors.

Two young men from Eastern Europe take a pilgrimage to Santiago, Spain. Upon arrival at one of the most northwestern points of Europe, the south-easterners find themselves foreign both to the identity of their surroundings, as well as to their own. Without realizing it, they embark on a pilgrim-esque exploration of their own identities and the religiously-spiritual and nationally-sexual differences between them.

Milošević’s regime has rigged the results of parliamentarian elections in autumn 1996. This was a cause for mass rallies in Belgrade and other cities in Serbia. The film documents the protests during the first four days of their protests, their political and criticising charge but also the carnival spirit. On the seventh day of the protests the film was edited and had a premiere screening in the Rex Cinema.