Želimir Žilnik

People of different nationalities from Central Europe attempting to reach the West by crossing the controls and “European” rules.

A frustrated and unemployed architect experiences flashbacks of his youth and 1968 protests while the life passes by. Unable to adapt and to accept the reality, he’s constantly getting into conflicts with the people around him.

Inspired by Karl Marx's "Das Kapital", three men and a girl named Jugoslava decide to wake up the conscience within the working class and peasants. Faced with the primitivism and a lack of morale, their revolution fails and the girl is the one to be sacrificed as a witness of their unsuccessful attempt.

A multinational company owned by Mrs Judit Angst is facing financial difficulties: she decides to hire a group of young anarchists to fake her "kidnapping". After a couple of weeks spent in confinement she will be able to justify the downfall of her company before the people and at the same time to gain the status of the opponent to the destruction and chaos.

Milošević’s regime has rigged the results of parliamentarian elections in autumn 1996. This was a cause for mass rallies in Belgrade and other cities in Serbia. The film documents the protests during the first four days of their protests, their political and criticising charge but also the carnival spirit. On the seventh day of the protests the film was edited and had a premiere screening in the Rex Cinema.

The aged rocker Igor works as a journalist and DJ at the "Radio Student" in Ljubljana. He notices that the janitor Miha works for the police, tapping the walls and observing the journalists who are critical of the regime. After a clash with his editor, Igor decides to leave for Greece by his old bike DKW from 1938, via Bosnia and Serbia. Young Rahela joins him on the trip. Traveling through Yugoslavia, Igor becomes involved in unexpected turmoil: Milosevic's "antibureaucratic revolution" starts in Serbia and Vojvodina.

The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.

A Norwegian TV-worker tries to prevent her son, which she has with her former husband, a Serb now living in Jugoslavia, to become a soldier in the starting civil war.