A Warm Misty Night

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

A 1967 crime film

A former gang leader and lone wolf who has left the organization works behind the scenes in a new city to take revenge on a giant alliance of organizations. This film is amongst the last "straight" yakuza films made at Nikkatsu before the studio's switch-over to pinku eiga.

A humorous yakuza action melodrama with gangsters, drugs and that old comedy-standby, white slavery.

Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

Ryu (Akira Kobayashi) sets foot on the Yokohama port with a suitcase filled with 300 thousand dollars. He was sent by a jewelry company in Hong Kong to retrieve a certain diamond that was stolen from them. The "Himalayan Star" is worth couple hundred million yen and unbeknown to Ryu, it now lays in the hands of Aizu (Jo Shishido), the infamous ”Pirate of the Tokyo Bay."

Kokuchou Academy used to be an elite school but it is now a nest of evil. Accordingly, spunky schoolgirls Miho, Yumi, Ruri and Kei form the Sailor Suit Rebel Alliance to eliminate wrongdoers from the school premises, wearing heavy makeup in order to keep their identities hidden.

A jazz pianist named Shiro Tsuda returns from an overseas tour unwittingly carrying drugs that have been sewn into his jacket. When he stops by to see his girlfriend Kyoko, he walks in to find an unknown man attacking her. While struggling with the man, who is armed, Shiro accidentally shoots and kills her. The intruder knocks Shiro down and takes the drugs from Shiro's jacket. Shiro realizes that he was being used as a drag smuggler. He is sent to prison for three years for killing his girlfriiend. When he is released, he is determined to find out who set him up.

Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.

You can get into university anytime! But you can't get into the women's bath!!! Three cram school students yearn to see and enter the women's bath, and together they harbor an agonizing bittersweet desire to see it, making this a hilarious comedy that blows away the frustrations of the youths.

Drama is afoot at Shirobara Middle School when the bold Henmi Ryoko transfers into Class A, 9th Grade. She immediately picks a fight with, Masuda, the head of the preparation committee. The girls' battle for control of the gang soon grows out of control as it sweeps up the entire school. Brawls. Seduction. Yakuza. And more!

Following on the heels of "Stalker," this title continues the same theme, focusing on a young woman, Suzu, infatuated with her older sister's husband, Takeshi. As a neuro-psychiatrist, Takeshi has the expertise to diagnose her mental instability, but trying to care for her may only draw him further into her clutches. Looking into the mysteries of her childhood may be his only hope of curing her obsessive behavior before Suzu's violent tendencies threaten those around her.

The wife and child of a businessman find themselves in danger when the man unwisely becomes entangled in an affair with a young woman who begins to stalk him and the family he loves.

Comedy about a young man who causes pandemonium by raiding a bar patronized by his father, winning the favors of a hostess and ends up feeling the breasts and hips of all the girls in his father's office.

Hiroko, who has a weekly magazine reporter as her lover is assigned as a public health nurse in a remote village. However, there is widespread poverty and ignorance beyond her imagination.

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.