Mio Ezaki

Based on the comic by Kazuo Koike

When Toru Sagara (Yujiro Ishihara) returns home from a foreign cargo route, he proposes to his beloved girlfriend Akiko (Ruriko Asaoka). She joyously agrees, promising a life together. On the day they were to be joined in matrimony, Akiko suddenly goes missing. Toru waits hours for her to show, but he is only greeted by the darkness of night. Four years later, his fiancée turns up at a night club in Yokohama with another man.

A 1967 crime film

Around Ginza there is a night-city of bars and cabarets, hostesses, customers. Assisting to keep order here is Kagari (Akira Kobayashi) who specializes in the women, their problems and troubles. He has saved many a girl from blandishments of pimps, makes customers pay up and women play straight. So he is called 'the woman's police-man' and he takes his job seriously. One day, Chiyoko (Yukiyo Toake), a former hostess, comes to him. Her husband has been murdered and she wants help. The man had been a college classmate and Kagari decides to do what he can. In his investigation he overturns a whole nest of intrigue. Men he had thought irreproachable turn out to be corrupt; solid citizens are seen as the worst kind of scoundrels. Until now, Kagari has specialized in women and their problems. But, realizing the real state of affairs, he rolls up his sleeves for a good cleaning- up-at the same time discovering the murderer of his friend.

Goro Fujikawa (Tetsuya Watari) was indebted to Mitsugimoto. Sawada, a low rank yakuza with a gambling problem owed Mitsugimoto three million yen. This equation can only lead to one answer. Mitsugimoto needs to pay and Goro's coming to collect.

Newly out of prison after killing his boss' rival, Akio Maki is eager to move on and start a new life with the boss' daughter. However, the chains of the past are not so easily broken and Maki is soon ordered to kill again.

You can get into university anytime! But you can't get into the women's bath!!! Three cram school students yearn to see and enter the women's bath, and together they harbor an agonizing bittersweet desire to see it, making this a hilarious comedy that blows away the frustrations of the youths.

Jun Aisaka seduces one woman after another. His victims were flirtatious married woman Noriko, student Keiko, widow Mitsuko and dancer Rumi. As a result, he ends up in prison, but after escaping with another prisoner, he continues his criminal adventures with a partner. It is clear that this will not end well. Moreover, a couple of detectives are already on the trail of the criminals.

College life starts off great for Michiko. She and her friend join the Italian Culture Research Club that performs canzone, a genre they are both in love with. The only problem is that the club doesn't have enough money to buy instruments for them to play. One day, the two come across a talent show called the "Mari Sono Look-Alike Contest" that promises the winner a cash prize. And Michiko looks a lot like the star.

In a fictional mining city in northern Kanto, a Tokyo drifter named Shiro (Ishihara Yūjirō), caught in a conflict between two transportation companies, plays the role of both the good and bad guy.

Kensaku Muro and his father manage a farm in Sakudaira at the foot of the Yatsugatake Mountains. One day Kensuke saves a suicidal woman, Fukiko Uzu, who jumps into a waterfall. Having injured his eyes in the process, he is brought to Tokyo for medical treatment. In Tokyo, Kensaku visits his mother Kaneko who left her son years ago. She now owns an exclusive club and has a son, Isao, with the president of Kobe Concern. Isao plots to steal Kensuke's farm as part of a land development scheme with Fukiko's husband. Without knowing they are blood related, their conflict over the farm intensifies.

Ryu (Akira Kobayashi) sets foot on the Yokohama port with a suitcase filled with 300 thousand dollars. He was sent by a jewelry company in Hong Kong to retrieve a certain diamond that was stolen from them. The "Himalayan Star" is worth couple hundred million yen and unbeknown to Ryu, it now lays in the hands of Aizu (Jo Shishido), the infamous ”Pirate of the Tokyo Bay."

A former gang leader and lone wolf who has left the organization works behind the scenes in a new city to take revenge on a giant alliance of organizations. This film is amongst the last "straight" yakuza films made at Nikkatsu before the studio's switch-over to pinku eiga.

In the late 1890s, coal is a precious new natural resource. During an era of rapid economic growth, dreams are instilled into the lives of many across Japan. A vigorous young man with a look of fearless determination, sets foot on the northern part of Kyushu, an area where Yakuza thrived. His name is Kingoro Tamai (Yujiro Ishihara). With plans to travel the world, Kingoro worked diligently at a coal mine. His loyalty and hard work earned the respect of his peers, his courage won the heart of the beautiful Mon (Ruriko Asaoka), and his success evoked jealousy in his enemies.

1962 Japanese movie

A jazz pianist named Shiro Tsuda returns from an overseas tour unwittingly carrying drugs that have been sewn into his jacket. When he stops by to see his girlfriend Kyoko, he walks in to find an unknown man attacking her. While struggling with the man, who is armed, Shiro accidentally shoots and kills her. The intruder knocks Shiro down and takes the drugs from Shiro's jacket. Shiro realizes that he was being used as a drag smuggler. He is sent to prison for three years for killing his girlfriiend. When he is released, he is determined to find out who set him up.

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

A comedic tale that follows several quirky individuals who navigate the twists and turns of their daily lives.

Masaaki Kagari (Akira Kobayashi) is the recruiter and protector of hostesses at the Club Rose. One day he visits Club Aron, to complain about attempts to lure hostesses from Club Rose. Aron's madam Hisayo reminds him of a tragic experience five years before, when a lovely girl named Kumi committed double suicide with a man in a hotel. For Aron's madam is Kumi's elder sister. Kagari's friend Hayazaki introduces him to Chie, the young sister of the man who died with Kumi, who has come to Tokyo to learn the truth about her brother's death. Kagari sends them both away. But he continues to be haunted by the warmed-over memories. When Club Aron is found selling bootleg whisky Kagari learns that Hisayo has been a tool in the hands of the Akune group who are also responsible for trying to steal his girls, and that Fujikura, the public prosecutor who presided over the case of Kumi's death and ruled it suicide, is now the personal lawyer of the Akune group...

Based on the comic by Kazuo Koike

Tetsuya Watari, a modern youth idol, co-stars with Tetsuro Tamba for the first time, and a young man who survives freely is an action giant who swings down the iron arm of justice and anger toward evil

After her family breaks apart and she ends up behind bars, a defiant teen fights her way back into the world through rhythm and rebellion, driven by a dream to start a band and rewrite her life.

Kokuchou Academy used to be an elite school but it is now a nest of evil. Accordingly, spunky schoolgirls Miho, Yumi, Ruri and Kei form the Sailor Suit Rebel Alliance to eliminate wrongdoers from the school premises, wearing heavy makeup in order to keep their identities hidden.

Set mainly in and around the Aizumi Police Station, this detective drama depicts a detective with a past as a former delinquent who fights against the rapidly increasing number of juvenile crimes.

Following on the heels of "Stalker," this title continues the same theme, focusing on a young woman, Suzu, infatuated with her older sister's husband, Takeshi. As a neuro-psychiatrist, Takeshi has the expertise to diagnose her mental instability, but trying to care for her may only draw him further into her clutches. Looking into the mysteries of her childhood may be his only hope of curing her obsessive behavior before Suzu's violent tendencies threaten those around her.

Adapted from the novel 'Tenshi no Uppercut' by Kitajima Takashi. A delinquent girl series telling the struggles of a girl newly arrived in Midorigaoka High School after moving to Kunitachi City against a women's gang known as The Red Rose as well as the teachers and the system they created in the school.

The wife and child of a businessman find themselves in danger when the man unwisely becomes entangled in an affair with a young woman who begins to stalk him and the family he loves.

This romantic tale involves a co-pilot who aspires to become the pilot of a new Boeing 747-400, and the stewardess he loves. Suddenly, the wife he had believed dead reappears.

Mariko, a girl possessing psychic and psychokinesis powers, is struggling against various personal challenges and setbacks while attempting to deal with her birth father's criminal past.