Boleiros: Era uma Vez o Futebol...

Documentary about homeless people in São Paulo, Brazil (more than 9000!), discussing themes such as social exclusion, unemployment, alcohol abuse, madness and religiosity.

On a Saturday morning, an advertising crew arrives at a decadent old building downtown São Paulo to shoot a TV commercial. And then everything goes wrong, beginning with a broken elevator

After 20 years of exile in Paris, Gustavo returns to his native city São Paulo. Back home, he encounters a place which no longer exists. His old friends and family members have changed, almost beyond recognition. He tries to recapture the past, and make some sense of his life, that of his friends and family, and the present state of his native country.

A harmonicist, a pool player, and his old assistant get invited as entertainers at a fancy dinner party but have to wait in the lobby for what seems like forever. They witness all sorts of absurdities as the party goes on and guests loosen up.

A public appearance from international soccer player Marquinhos at Aurelio's bar launches a series of vignettes which spotlight Brazil's obsession with the round ball game

People who moved from São Paulo, a large city, to the countryside, come back to see a play. Later, they learn the driver of their chartered bus has disappeared. Now, on the street, at night, they have to face themselves.

A source of inspiration for the cinematography of Ugo Giorgetti, São Paulo is once again the backdrop to this documentary in which the theme is the specialty of the city's culinary.

The police mobilize their resources to capture Nenê Bandalho and, while he tries to escape, he remembers some of his life's most important episodes.

During the Brazilian military dictatorship in the seventies, two brothers working on a play will risk their lives to help the resistance.

The film tells the story of the first skyscraper of São Paulo, the Martinelli building, and registers testimonials of its last residents who had to move after São Paulos’ municipality interdiction of the building. It shows the variety of human types and commercial establishments that used to exist inside the traditional building.

Professor Singer can be assessed as an enlightenment: he was also an educator, even (or above all) when he made politics. A major character in the intellectual life of São Paulo in the last seventy years, he narrates his trajectory, from his arrival in Brazil in 1940, escaping the Second World War, in 2016, in the leadership of solidarity economy movements. The film tries to show the beauty of a man thinking.

A former boxer is hired to take care of an empty house in the Pacaembu neighborhood in São Paulo. The property is for sale and its function is received when purchased. On the first night on the job, he discovers that a woman and a daughter are living clandestinely in one of the mansion's rooms.

A Lebanese immigrant who has lived in São Paulo for many years is robbed and arrested in the trunk of his own car. In addition, a woman who witnessed the theft is also positioned there. The two complete strangers are forced to share this small, clueless environment where the thieves are headed.

A successful businessman is arrested on suspicion of committing financial crimes. In the sitting room of his house, four characters – the driver, the nanny, the lawyer and the wife – discuss how and why the businessman was arrested and, consequently, try to understand their own lives.

A middle-aged, wealthy man who lives in an upscale neighborhood in São Paulo, goes to put on his shoes and finds that his foot is no longer the same – it has changed for the worse. This gesture is the trigger for a reflection on life, the passage of time and the difficulty in understanding the present day.

Sao Paulo revisited by brazilian poets that were aligned with the beatnik generation.