Oswaldo Campozana

Young writer sells a soap-opera script to a TV network and manages to place his girlfriend in an important role.

An erotic comedy with three episodes: Wedding with soccer; The Mighty Money; Seeing is believing.

The dreams and problems of three friends: Malagueta, an inveterate gambler; Perus, former factory worker who abandoned the assembly line to earn his living at the billiards; and Bacanaço, trickster who puts on chic airs, always dreaming of performing the ultimate big swindle.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

A series of murders begins to haunt Cordilheira, a small town near São Paulo, Brazil. The investigations show there is a love triangle involved.

Tribute to the world of soccer in Brazil. Group of ex-soccer players gather in a bar in São Paulo to remember old stories of their prime.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

Pérola Negra is a Brazilian telenovela produced by SBT and originally broadcast from November 9, 1998, to June 22, 1999. It is an adaptation of the Argentine telenovela Perla Negra (1994), created by Enrique Torres, adapted for Brazilian television by Henrique Zambelli and Clayton Sarzy. The telenovela stars Patrícia de Sabrit and Dalton Vigh. The story follows Pérola Marques, a young woman abandoned as a baby at a boarding school with a necklace of twenty-two black pearls, each intended to pay for one year of her education. After her best friend Eva dies shortly after giving birth, Pérola assumes Eva's identity to care for her son and fulfill her final wish. As she enters the wealthy Pacheco Oliveira family, she becomes entangled in secrets, betrayals, and a passionate romance with Tomás Álvares Toledo while uncovering the truth about her own past.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

Four teenagers, each facing a major conflict. Majô, the daughter of separated parents, has fallen in love with her mother Raquel’s husband, the teacher Túlio. Caíto, who is gay, lives in a dysfunctional home where his parents' marriage—Dirceu and Marilu’s—is going from bad to worse. Doca is a drug addict, and his sister Bia has become pregnant by her boyfriend, Michel. Their parents, Odilon and Paula, are deeply unhappy as well. Interwoven with their stories is that of Túlio—a former addict turned upstanding teacher—who encounters a haunting figure from his past: his ex-sister-in-law, Fernanda.

The story takes place in São Paulo, in the late 1920s, and has Mariano's memories as its starting point. Orphaned, he loses the aunt who raised him and ends up in Madame Iara's brothel, where he meets two people who transform his life: Esmeraldo, a gigolo who loves the good life who becomes his master; and the prostitute Guadalupe, known as Lu, a sweet and extremely sensual woman. Esmeraldo is Lu's boyfriend, whom he loves unconditionally. Mariano enters the couple's lives and ends up falling in love with her, thus forming the love triangle that drives the entire narrative.