The Legend of Provence

A young clubman, who prided himself upon his popularity, made a wager with a friend that he would marry a certain society girl. His wooing met with great success as far as the girl was concerned, but her father, a judge, did not look with favor upon the young man, so the latter induced the girl to elope. She wrote her husband-to-be, telling him to have a closed carriage at a certain corner near her home and she would fly with him.

The Woman Pays is a 1914 silent film that follows the story of an "innocent society woman" who finds herself in a difficult predicament.

The story of country girl Pamela Congreve who driven by revenge rises through London society to seek justice against the villain who caused her father's death.

This elaborate and well-staged silent version of Hertz' play is exceedingly well produced for 1913: it starts off by introducing the actors by name and role, then showing them in double exposure in street clothes and in costumes. The production values are also elaborate and the look of the set designs reminds one of the elaborate backdrops that Melies used in his shots.

This adaptation of the Alexandre Dumas story tells of a man, living in the present day, who returns home incognito and wealthy after having been a sailor for years and living on a desert island surrounded by water filled with pearl-oysters. He revenges himself on his enemy, who had unjustly accused him of a crime he did not commit.

In "The World and the Woman", Jeanne Eagels plays Mary, a prostitute (which is implied by her walking the streets and being hassled by policemen) who reluctantly takes a better position at a country lodge as a maid. In this woodland community, she attends church and the path to Salvation becomes clear to her. Through Mary's faith, the injured folk of the countryside are healed. However, her old employer, whose lustful advances she'd previously spurned, still has designs on her.

The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

Orphaned after the death of their mother, Nancy Grimm and her baby sister Ellen are taken to the country where Ellen is adopted by the wealthy Walsh family. Nancy keenly feels the loss of her sister, and when the judge rules that she cannot visit Ellen without permission, she throws herself onto a bench, winning the sympathy of young attorney Chester Noble. Nancy is then placed in the Wick's home where she is treated as a servant. Miserable, Nancy cuts off her hair and, dressed as a boy, runs away.

With younger brothers and sisters to support, Peggy takes on the task-heavy job as maid for Mrs. Stuyvesant. Peggy also manages to help the woman's children, a lovelorn daughter and a son who is the unwilling tool of spies.

Marie and her friend Billy are playing pirates and Marie is the pirate and Billy is her assistant. Marie's widowed mother becomes engaged to Mr. Cross , whom Marie doesn't like -- she much prefers Jack Laird, a secret service man. Laird's investigation of opium smugglers leads him to suspect that Cross is involved, but Marie's mother refuses to let him be searched.