Carey L. Hastings

Fernande de Ferney, a young French girl, has spent her time between the convent and the country home of her uncle, where she has learned to passionately love Roger, the son of the Marquise de Monclars. He marries her for her fortune, but does not value what he has so lightly won until she profits by the lesson taught in the little marionette play written by their friend, Nizerolles, and finds that men are much like marionettes.

A series of flashbacks where a penniless, friendless tramp and his dog relates the story of his downfall due to drink.

Audrey Munson (a real-life 'perfect' model for numerous Beaux-Arts sculptors) first appeared artistically nude as a sculptor's model, recreating classic artistic (nude) paintings in George Foster Platt's controversial film from the Mutual Film Corporation. In fact, the film told the story of her own life. This film has generally been regarded as the first non-pornographic American film to feature nudity. This was the first known film in which a leading actress stripped down to be naked, making her the first nude film star. (filmsite.org)

One little girl lived in the country. She was a model child, everybody admitted it, but it cannot be denied that she was more or less of a cry-baby and a coward.

In "The World and the Woman", Jeanne Eagels plays Mary, a prostitute (which is implied by her walking the streets and being hassled by policemen) who reluctantly takes a better position at a country lodge as a maid. In this woodland community, she attends church and the path to Salvation becomes clear to her. Through Mary's faith, the injured folk of the countryside are healed. However, her old employer, whose lustful advances she'd previously spurned, still has designs on her.

Harmony Wells, a gifted violinist, moves to Paris to complete her musical education. Her money soon disappears, and she is forced to live in an inexpensive pension house, where she meets Dr. Peter Byrne, a promising American surgeon who has come to Paris to study. The doctor falls in love with Harmony and proposes, but although she returns his love, she refuses him, determined to pursue her career.

The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.