We, the Lost Girls

The story of a juvenile delinquent who, despite society's efforts to reform him, irrevocably ruined his life.

Antonín Kachlík wanted to make committed films about the moral dilemmas of the working class, but in the era of normalisation, he could only proclaim how faltering individuals would eventually come to the desired thinking. This is also true of the adaptation of Jiří Švejda's book about the wavering career of a young brickmaking technologist - the simplistic drawing of characters and plots, the posterishly lifeless language and the textbook discussion of social ills are all objectionable; the ideal becomes the code of the socialist builder.

Although the title would suggest it, this film has nothing to do with fairy tales at all: it takes place in the North Moravian border region just after the end of the Second War. It presents a fragmented mosaic of the fates of many people, returnees and immigrants, who tried to start a new life and believed in a happier tomorrow. Although the director Antonín Kachlík tried to give the story a certain credibility, he submits to the ideological demands of the 1980s. North Moravian borderlands in the first post-war year: a disparate and fragmented sequence of episodes depicts the individual fates of returnees and new immigrants. Another title that perhaps did not even need to be created.

It is 1920, political unrest is growing in Prague and the Social Democrats are about to betray their historic mission by prioritising their own selfish interests instead of those of the working class. An extortionist scandal falls on the Social Democratic deputy Jandák, forcing him to renounce his convictions. Under these circumstances, the seriously ill Hungarian revolutionary Kerekes, who had to flee his homeland, is hiding in Prague...

The elder son of the farmer Marunáč dies of a work accident. His wife and younger brother fall in love and try to break free from their despotic father.

Office worker Věra has a big day ahead of her, full of preparations, as her wedding to her boyfriend Zdeněk is coming up. During this time, she has had time to think since morning, and even a small action, a look at a photo or a specific word, can revive memories of what preceded this day in her mind. Immersed in herself, she returns to her relationship with Zdeněk, reflects on her family and her colleagues from the tractor factory where she met Zdeněk. However, these fragments do not evoke a feeling of happiness in her, but rather doubts and bitterness. However, she still hopes that today is the beginning of a new life for her, that everything that was said by her beloved and others will pass away today.

A psychological story about dissatisfied individuals who despise the stereotypes of others, but create their own. Kazan, a vagabond through life, and Viola, who always settles for the ideal, form a disparate pair who eventually find the one.

The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

A lone military unit carrying a cannon is stopped while moving from the training area by a gamekeeper who is in extreme distress because his son is seriously ill and needs acute medical attention. The lieutenant hesitates for a moment whether to help or move on...

Members of an organised group smuggling heroin from France to Italy send a new shipment of the drug via Sweden, the GDR and Czechoslovakia. A new ballet is about to premiere at the Fibich Theatre in Prague. However, the situation is complicated by a horrific event: prima ballerina Milada Havlová is found dead in her dressing room. The autopsy and the first analyses reveal that she died of a heroin overdose. Captain Chrástek is in charge of the investigation and believes that it is not an accident but murder. An investigation unfolds that reveals not only the strained relationships between the members of the ballet company, but above all an international criminal network...

Set in a 1950s Moravian wine village, an elderly Josef, guided by his quirky life philosophy and humor, recalls key moments from his past. Across nine seasonal vignettes filled with local folklore and customs, he and his fellow elders remain fully engaged in the joys and trials of village life.

The hero of this popular fairy tale is a young prince who, after the death of his parents, goes out into the world. During his travels he meets a magical talking horse and falls in love with the beautiful princess Slavna. On the advice of his horse, he binds one eye and pretends to be dumb and enters into service as the castle gardener.

In the era of normalisation, a number of (pseudo)historical films were made, even described as reconstructions, which glorified the world-building mission of the Communist Party and attributed to it exclusively humanitarian intentions ("Days of Betrayal", "Sokolovo", "Liberation of Prague", "The Victorious People"). In 1929, when its fifth congress met, Klement Gottwald, who had taken the line of the Russian Bolsheviks, took over the leadership of the Communists...

The plot of the film follows a bus ride on the Prague - Karlovy Vary route and the actions of the people on it. A diverse group of people with various interests, professions and personalities gathered on the bus. Their encounter in the close environment of the bus gave the opportunity to create a whole series of good humorous situations. The ride on the express bus is a symbolic example of the contemporary life of our society, in which, just like when riding a bus, it is necessary to suppress many private interests and selfish qualities in order to successfully reach the destination.

Princess Julia doesn't want to marry an old prince Hubert so she runs away from home. She meets two old magicians and join the circus, where she meets lovely Franta Kuldan and evil devil performer.

Adolf, the irresistible seducer of women, is fond of Janicka, a novice opera singer. The girl, however, prefers famous men and Adolf thus does not have a single chance with her. One day in a hospital, he meets a Greek partisan named Apostolek who impresses him with his spontaneity and ease in solving all problems, especially those with women. Adolf has an idea for a revenge. He makes Apostolek familiar with social manners, dresses him after the latest fashion and introduces him to Janicka as a Greek conductor. Janicka instantly falls in love with the made-up composer and Apostolek does no better.