Antonín Kachlík

The hero of this popular fairy tale is a young prince who, after the death of his parents, goes out into the world. During his travels he meets a magical talking horse and falls in love with the beautiful princess Slavna. On the advice of his horse, he binds one eye and pretends to be dumb and enters into service as the castle gardener.

Zofie and Dominika, two girls of very different temperaments, become friends during hop-picking volunteer work in the summer. Zofie (Jaroslava Schallerová) is serious to the point of reticence and she is delighted with her friendship with Dominika. For the self-assured and superficial Dominika (Irena Svárová) the whole thing is just a momentary whim. When she leaves the work camp before everybody else, she doesn't even say goodbye to Zofie. The two girls meet again after the holidays as first-year students at medical school, and become close again during the nursing techniques class.

It is 1920, political unrest is growing in Prague and the Social Democrats are about to betray their historic mission by prioritising their own selfish interests instead of those of the working class. An extortionist scandal falls on the Social Democratic deputy Jandák, forcing him to renounce his convictions. Under these circumstances, the seriously ill Hungarian revolutionary Kerekes, who had to flee his homeland, is hiding in Prague...

The plot of the film follows a bus ride on the Prague - Karlovy Vary route and the actions of the people on it. A diverse group of people with various interests, professions and personalities gathered on the bus. Their encounter in the close environment of the bus gave the opportunity to create a whole series of good humorous situations. The ride on the express bus is a symbolic example of the contemporary life of our society, in which, just like when riding a bus, it is necessary to suppress many private interests and selfish qualities in order to successfully reach the destination.

Set in a 1950s Moravian wine village, an elderly Josef, guided by his quirky life philosophy and humor, recalls key moments from his past. Across nine seasonal vignettes filled with local folklore and customs, he and his fellow elders remain fully engaged in the joys and trials of village life.

A psychological story about dissatisfied individuals who despise the stereotypes of others, but create their own. Kazan, a vagabond through life, and Viola, who always settles for the ideal, form a disparate pair who eventually find the one.

The reason for making this film is clear: it was to cover up Vojtěch Jasný's famous chronicle "All the Good Natives", an account of the tragic consequences of forced collectivisation. The pro-regime director Antonín Kachlík also focuses on the socialisation of the Moravian village, accompanied by mistakes and coercion, but in his optimistic view he emphasises the hopeful prospects leading to a happy future. Although the united village lands were born in pain, they will serve for the benefit of all the working people... As with Jasný, Radek Brzobohatý embodies the stubborn peasant, who is only slowly acknowledging the benefits of communal farming. However, unlike the poetic exuberance and pithiness of Jasný's chronicle, here we encounter a vicious posturing.

Adolf, the irresistible seducer of women, is fond of Janicka, a novice opera singer. The girl, however, prefers famous men and Adolf thus does not have a single chance with her. One day in a hospital, he meets a Greek partisan named Apostolek who impresses him with his spontaneity and ease in solving all problems, especially those with women. Adolf has an idea for a revenge. He makes Apostolek familiar with social manners, dresses him after the latest fashion and introduces him to Janicka as a Greek conductor. Janicka instantly falls in love with the made-up composer and Apostolek does no better.