Country House

Nadezhda Kazakova, a Siberian girl, comes to a seaside southern town for a youth song festival. But at the first rehearsal with the orchestra Nadya fails, after which she leaves for the construction of a hydroelectric power plant. There, in a working club, success, inspiration, hope and unrequited love come to her.

After the partisans Julia, Pavel and Sergei went out on a combat mission, the detachment was surrounded and destroyed by punishers. Years later, a document was discovered stating that one of the three was a traitor.

A crook named Ostap Bender, who survived a murder attempt by Kisa Vorobyaninov in "12 Chairs," now schemes to extort 1 million from an underground millionaire.

Engineer-geologist Svetlana Panyshko in the far northern land dreams of summer, southern sky and warm sea, but instead of vacation she is forced to take into her own hands unprofitable oil field in order not to let down her comrades and fulfill the plan.

Шестнадцатилетняя Люська сбегает из дома, где отчим не дает ей прохода, и знакомится с карточным шулером по фамилии Бристоль. Друзья ласково называют, уже далеко немолодого Константина, Котей. И вот старик и почти еще ребенок сдружились и вместе начинают опасную авантюру.

A.N. Ostrovsky recalls the first period of his creative work (1849–1859), when he began collaborating with the Maly Theatre and with masters of the Russian stage such as L.P. Kositskaya, M.S. Shchepkin, and P.M. Sadovsky. Almost every character in this film is a real historical figure.

Czechoslovakia, May 9, 1945. The end of the war has already been announced. Nikolai Savelyev dreams of returning to his hometown and teaching children history again. Suddenly a battle begins - the SS unit is trying to break through to the west. The battery commander chickened out and fled. Savelyev takes command. He receives a serious injury that leads to blindness. He is accompanied to his hometown by nurse Svetlana. Nikolai does not immediately manage to find his place in life...

Moscow, XIX century. A small official Misha Balzaminov lives in a small house. He, like his mother, sees his happiness in marrying a rich bride. Misha images in dreams and fantasies that he is a general or even a king — rich and domineering. In reality, poor Balzaminov is haunted by setbacks.

The beginning of the 1950s. Nikolai Babushkin, a young specialist in one of the taiga construction sites, who had just been elected a deputy of the district council, was sent behind a brick to the city of Dzhegor. He is already familiar with the bold project of the engineer Cheremnykh, according to which one of the shops of the brick factory can be transferred to the production of expanded clay blocks in a short time. To provide the construction site with the necessary material, Nikolai gathers a team and helps the inventor to implement the project. There, in Dzhegor, he meets Irina, a graduate of the architectural institute …

In the house of Daria Mikhailovna Lasunskaya, a noble and wealthy landowner, former beauty and lioness of the capital, who even far from civilization still organizes her salon, a certain Baron, erudite and expert in philosophy, who promised to introduce his scientific research, is waiting. Instead of the expected celebrity arrives Dmitri Nikolaevich Rudin, whom the Baron instructed to deliver his article. Rudin charms everyone with his erudition, originality and logical thinking. Lasunskaya is determined to make the ornament of his salon. During the two months that Rudin spends at Lasunskaya's, he becomes indispensable to her. But Rudin's misfortune is that while he inflames others, he himself remains as cold as ice, never thinking that his words "may confuse and destroy a young heart".

Twenty years ago, Nastya Samokurova left the village in the city to seek happiness. Lived in the city, easy, easy life, engaged in speculation. And now she came to visit her sister Dasha, who continued to live in the collective farm and was universally respected.

The film is about a group of people who in other times wouldn't have anything in common, some of them innocent bystanders, some moral criminals. But nothing is straightforward and simple. From Russia "the flight" continues to Constantinople, to Paris, back to Russia. Some of them have understood that they can't live outside Russia and go back maybe to be happy, maybe not, some go back to face sure death for their crimes, some don't go back and know that are going to miss homeland forever, some are comfortably well off (are they?) in exile.

An important event is taking place in a small provincial town, an elderly rich prince arrives. The local "lioness" Maria Alexandrovna Moskaleva decides to marry him to her daughter Zinochka. But the "noble" Mordassov society is by no means inclined to voluntarily give up its positions: after all, in the head of every mother who has a marriageable daughter, the dream is to get a rich man as a son-in-law.

In 1920, just 3 years after the October revolution, the peoples had to decide between conforming to Bolshevism or national self-determination. In that torn-apart-time, one man, the comedian Volodya, tries to mediate, not between different ideologies, but social life and art. While others just want to wash away their gloom, he reflects on the everyday sorrows and the role of art in that time of changes.

Thirty years after war's end a man in Kazakhstan contacts an old Russian woman to say he is her long-lost son.