The Image, The World

From the construction of a sculpture "life size" in the earth, the director Boris Lehman imagines a story that staged a sculptor (Paulus Brun) struggling with an impossible order. The man of land is "golemise", takes life in the countryside, and ends up dying on an opera stage.

Legendary drag performer Ocaña in performance with a cardboard Marilyn on the west side of the Berlin Wall.

Film director Boris Lehman returns to Lausanne, where he was born on 3 March 1944, at the end of the war.

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and journey, something between documentary and feature film. Finally, a portrait of Boris Lehman from 1989 to 1995, part II of BABEL.

Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.

To attain knowledge, man and woman had to be willing to give up their innocence," says Boris Lehman. Life Lesson is a poetic and philosophic reflection on the theme of paradise lost. Some fifty persons illustrate the planet's convulsions and the world's vacillations. Trying to communicate, to commune with the invisible, they cry out, sing out, give out messages, each in their own way, in their own state of solitude. These are like multiple echoes that resemble waves in the water or stars in the sky. " Behind these images and sounds that have been stifled by today's society, Lehman hunts for noises, cries, songs, messages that go astray. He says that if we look at the invisible we may hear the words. He invites us to look beyond the appearances of social life and to vibrate in tune with life's polyphony that is all around us."

The veneer of the story is a tale of chance love: two French expatriates strike up a chance romance when they meet on a ship headed back to South America.

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

This distinctly personal journey into the artistic possibilities of independent film is not to be missed. Jonas Mekas, Jean-Pierre Gorin, Robert Kramer and many other visionaries and mavericks of the silver screen – as well as a book seller, a critic and a psychoanalyst – discuss what cinema has meant to them, what it is and what it could be and, implicitly, how it has changed over the 18 years in which this film was shot. Director Boris Lehman leads the charge, drawing in moments of absurdist humour and inventive camera work; he keeps things raw and spontaneous. His encounters with the now much-missed Jean Rouch and Stephen Dwoskin are particularly touching and stand testament to their personal playfulness and candour. An engaging, absorbing, epic odyssey of a movie.

From his birth in the South of France up to his military service, “When Dad joined Mum” retraces the first twenty years of Eric’s life and the upbringing he received as a boy who was brought up by a single mum. Through Super 8 reels, the story of an impossible emancipation unfolds as well as the portrait of a woman being devoured by her pain.

A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…

Henri Storck: “The General Commissariat for Tourism had organized a ‘Year of Folklore’ and, on that occasion, asked me to make a series of films devoted exclusively to this form of popular culture.” 1.Carnaval van Oostende - 2.Vastenavond te Aalst - 3.Carnaval van Malmédy - 4.Straattoneel in Malmédy - 5.De Gilles van Binche - 6.Meiboomplanting en Passiespel door de marionetten van Toone in Brussel - 7.Heilige Bloedprocessie in Brugge - 8.De 'witte Moussis' van Stavelot en de kermis van Bergen - 9.Passiespel in Lessen en Ligny. Halfoogst-feesten in Outre-Meuse (Luik) - 10.De Chinels van Fisse-la-Ville. De 'Grootjes' van La Louvière. Het ontploiffen van Kruipotten in Luik.

"L'Artifice et le factice" is the episode that covers the period from January 1, 1988 to December 31, 1988 of my filmed Notebooks.