White Ravens: A Legacy of Resistance

America is Waiting. Trump and company in Washington. "Why are you here?" Asks Georg Koszulinski with his camera in hand to several of thousands of protesters who, even from the early morning hours, take to the streets of Washington D.C. to await the inauguration ceremony of Donald Trump as president of the United States of America. The question is in itself the premise of this document of a historic day on North American soil. In this way, America is Waiting gives voice to those who oppose Trump as their president by occupying the spaces of the capital from where the tycoon will lead the nation for the next four years...

In the year 2012, the 3rd great war comes to an end. The war claims no victors, but both sides succeed in executing their chemical warfare campaigns. The result is over 3 billion deaths. Over ninety-eight percent of the male survivors are rendered sterile. Human reproduction is realized by means of cloning. The first strand of clones are harvested in December of 2012 and received with overwhelming success. It was not until nineteen years later that the first problems arose.

A man wakes up naked and alone in the middle of the vast Florida Everglades.

Red Earth imagines a world in the late Anthropocene, where large parts of Earth have become inhospitable to life. The story follows three generations of Martians, from the first colonists to the first expedition to return to an Earth decimated by interplanetary war.

In 1941, folklorist Alan Lomax traveled from the Library of Congress to the Mississippi Delta to record an oral history of the blues. Equipped with 500 pounds of audio equipment powered by his car battery, he ventured across nameless roads to discover the most beautiful and harrowing songs ever sung.

"Das Marsprojekt" merges non-fiction filmmaking traditions with science-fiction. The story revolves around the first-person account of a Martian colonist who reflects on her experiences leaving Earth, terraforming Mars, and ultimately taking part in the revolution for Martian independence.

A fictional account of David Koresh’s last words, a cursory analysis of the pantheon of Icelandic sagas, a home movie taking into account 20 years of filming on an old Bolex 16mm camera, a series of reflections on the destructive nature of industrialized societies: a collage film, metaphysical road trip movie in time of pandemic and social uprising. A point-and-shoot epistolary fever dream collage film made in times of multiple crises.

Every season, tens of thousands of migrant farmworkers converge on small communities like Immokalee, Florida where they plant and harvest the food that Americans consume. A vast majority of these workers are undocumented, leaving them at the mercy of the large agribusinesses who hire them, the crew leaders who contract them and the landlords and businesses that profit from the seasonal arrival of migrant workers. Their "undocumented" legal status allows for a system of exploitation that leaves workers and their families to endure conditions and wages that rarely meet international human rights standards. Immokalee U.S.A. documents these daily experiences, leading the viewer to examine their own role in the issues migrant workers face in the U.S.A.

A meditation on the syncretic nature of art and culture in the 21st century, superimposing the of internal world Baldwin's subterranean film lab with a group of Mayan dancers during the Dia de los Muertos procession.

Renegade filmmaker Georg Koszulinski takes on Florida's history from a decidedly different point of view. Blending archival and original footage, he brings to life a cast of historical characters spanning over 12,000 years, from Florida's ancient Indians to the migrant farm workers of the 21st century. Meet Osceola and the Seminoles, who fought alongside escaped slaves in the most costly Indian War in American History. Unmask Florida's Ku Klux Klan and don't forget about Walt Disney and Henry Flagler - perhaps the two characters most responsible for the Florida we know today.

"A personal essay film reflecting on the relationships between the Anthropocene, poetry, parenthood, and the history of Alan Moore's 1980's run on the Swamp Thing comic book."

A display of a fallen red cedar at Olympic National Park headquarters proclaims in 1349 "Indians live here." TREE BEGINS LIFE INDIANS STILL LIVE HERE produces a meditation on the territories of the First Nations of the Pacific Northwest, and invites an alternative interpretation of U.S. sovereignty over these lands.

Over 34 days at sea, deep in the Arctic Circle, the wages of knowledge are explored. This ship's mariners and scientists reflect on their life at sea as they attempt to better understand climate change, both past and present.

Three narrators converge in the deserts of New Mexico, each with a separate story to tell. One narrator is J. Robert Oppenheimer, another is a visitor from outer space, and the other is me. Our stories converge across the span of time and space into a single stream of consciousness.