Georg Koszulinski

Red Earth imagines a world in the late Anthropocene, where large parts of Earth have become inhospitable to life. The story follows three generations of Martians, from the first colonists to the first expedition to return to an Earth decimated by interplanetary war.

In 1941, folklorist Alan Lomax traveled from the Library of Congress to the Mississippi Delta to record an oral history of the blues. Equipped with 500 pounds of audio equipment powered by his car battery, he ventured across nameless roads to discover the most beautiful and harrowing songs ever sung.

"Das Marsprojekt" merges non-fiction filmmaking traditions with science-fiction. The story revolves around the first-person account of a Martian colonist who reflects on her experiences leaving Earth, terraforming Mars, and ultimately taking part in the revolution for Martian independence.

A fictional account of David Koresh’s last words, a cursory analysis of the pantheon of Icelandic sagas, a home movie taking into account 20 years of filming on an old Bolex 16mm camera, a series of reflections on the destructive nature of industrialized societies: a collage film, metaphysical road trip movie in time of pandemic and social uprising. A point-and-shoot epistolary fever dream collage film made in times of multiple crises.

A man wakes up naked and alone in the middle of the vast Florida Everglades.

Every season, tens of thousands of migrant farmworkers converge on small communities like Immokalee, Florida where they plant and harvest the food that Americans consume. A vast majority of these workers are undocumented, leaving them at the mercy of the large agribusinesses who hire them, the crew leaders who contract them and the landlords and businesses that profit from the seasonal arrival of migrant workers. Their "undocumented" legal status allows for a system of exploitation that leaves workers and their families to endure conditions and wages that rarely meet international human rights standards. Immokalee U.S.A. documents these daily experiences, leading the viewer to examine their own role in the issues migrant workers face in the U.S.A.

A meditation on the syncretic nature of art and culture in the 21st century, superimposing the of internal world Baldwin's subterranean film lab with a group of Mayan dancers during the Dia de los Muertos procession.

Filmed on the island of Haida Gwaii, this documentary depicts the ongoing resistance and resurgence of the Haida people and their culture against the different manifestations and trauma of colonization.