Het vertraagde vertrek
Jacq Vogelaar and Frans van de Staak cooperated in a sort of struggle between language and film: their perspectives are different, even exclusive. For Vogelaar his primary preoccupation with language as a novelist is anger, and rebuilding its expression as an individual fixation of the embodied space, whereas for Van de Staak as a filmmaker language is embedded in the activity of making film, which goes beyond any linguistic fixation... "The actor's unintended gestures, manner of moving or change of bodily position, is as important as the text he speaks -all that has to be on the same level of significance, and by doing so it becomes meaningless, because only then it dissolves." No one scene [except the first] 'exists' in advance, fixed in a script, but each scene was created and realized in reaction to a previous scene, which was then screened after its recording. As a result of this 'domino-method' the scenario was written after the making of the film, which took one year.
Directed by Frans van de Staak
Make it a double feature
3h 32m together
Het vertraagde vertrek
Traces of Smoke
Both from Frans van de Staak.
More from Frans van de StaakSee all →
Passengers · 1990
Traces of Smoke · 1992
People Passing Through Me in an Endless Procession · 1981
Soldiers Without Guns · 1985
Glint · 1996
Sepio · 1996
Deed Undone · 1989
Divided Earth · 1985
Verse Texture · 1998
Marmer · 2010
Optocht · 1978
Sonata · 1975
Windschaduw · 1986
Terzake · 1977
Italiaans concert · 2002
De zee in een fles · 1990More Like This
Couldn't load this row right now.
