Water Makes Us Wet: An Ecosexual Adventure

An autobiographical documentary depicting the “pollen-amorous” love affair between artist couple Beth Stephens and Annie Sprinkle, and the biodiverse Appalachian Mountains. This documentary follows Stephens and Sprinkle on a journey home to Beth’s native West Virginia, to talk to rural community members, environmental activists, family and friends in order to speak out against mountain top removal (MTR) mining practices, which are destroying the forests, towns, and people they love.

From the creators of the first queer environmental documentary feature films comes a hot new offering. The third chapter is their most epic and daring yet — fusing art, activism, and intimate storytelling in a touching journey through crisis, change, and renewal. When a firestorm rips through their redwood forest home, two artist-activists — Beth Stephens & Annie Sprinkle —emerge with a powerful message of love, resilience, and ecological hope, guided by a relationship with their magical peacock.

An autobiographical documentary depicting the “pollen-amorous” love affair between artist couple Beth Stephens and Annie Sprinkle, and the biodiverse Appalachian Mountains. This documentary follows Stephens and Sprinkle on a journey home to Beth’s native West Virginia, to talk to rural community members, environmental activists, family and friends in order to speak out against mountain top removal (MTR) mining practices, which are destroying the forests, towns, and people they love.

A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.

From the creators of the first queer environmental documentary feature films comes a hot new offering. The third chapter is their most epic and daring yet — fusing art, activism, and intimate storytelling in a touching journey through crisis, change, and renewal. When a firestorm rips through their redwood forest home, two artist-activists — Beth Stephens & Annie Sprinkle —emerge with a powerful message of love, resilience, and ecological hope, guided by a relationship with their magical peacock.

This movie is a queer history of the environment, taking root in the powerful paradigm change: to switch from ‘Earth as a mother’ to ‘Earth as a Lover’.