Annie Sprinkle

Russian agents raid an American sperm bank in order to get the sperm of geniuses Thomas Edison and Albert Einstein to take back to Russia with them.

With things growing a bit stale in the bedroom, lesbian couple Claudia and Dylan agree to seek sexual experiences outside their relationship. Dylan discovers new pleasures at a sex club, while Claudia, in drag as Claude, finds a surprising partner.

Vicky, an out-of-work actress, struggling waitress and lesbian has her whole life thrown into turmoil when her father comes from Germany to visit. The main problem is that Vicky has told him she is a successful actress and happily married. She enlists the help of a gay friend to play her husband. Using a large range of characters—gay, lesbian, straight, transsexuals—the film creates a funny and touching view of family dynamics and sexuality.

A nerdy college student is pressured to help a jock write love letters to the campus beauty, even though the nerd is in love with her himself.

The wraparound story this time is “Bobby's Boobies,” a Charlie's Angels parody with three top heavy private investigators - computer programmer Shelly (Annie Sprinkle), psychiatrist Katrina (Candy Samples) and nuclear physicist Jill (Julia Parton) - searching for a missing aphrodisiac. Other vignettes include Ginger Lynn in "Slow Dancer," a "Sex in Amsterdam" segment featuring a look inside the upscale brother the Yab Yum Club and Kay Parker and John Holmes discussing their work in adult films.

A humorous, absurd, heartfelt and worshipful look at sex. Features many exotic ways to stimulate sexual and sensual pleasure, like flagellation with oak leaves, body contortions, tattooing, piercing, shaving and gender play.

From the creators of the first queer environmental documentary feature films comes a hot new offering. The third chapter is their most epic and daring yet — fusing art, activism, and intimate storytelling in a touching journey through crisis, change, and renewal. When a firestorm rips through their redwood forest home, two artist-activists — Beth Stephens & Annie Sprinkle —emerge with a powerful message of love, resilience, and ecological hope, guided by a relationship with their magical peacock.

The three chief executives of Creative Concepts Systems & Procedures Brothers Unlimited Inc. of New York are in hot water as their latest venture has been a huge failure, and their Mafia investor, "Mr. Big", wants his $500,000 within 24 hours, or else. So Jimmy, a courier who over hears their plight, suggests they make a porno movie as an easy way of getting back the lost money.

A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.

Lucky People Center International takes us on a journey around the world through human souls. Music's rhythms and the film's pulsing form reminiscent of the music video aesthetics and gives the documentary a new face. The film traveled around the world for two years to find people and lifestyles that reflect the world before 2000.

Light your black candles and start the chant! Culled from 16mm prints found in Something Weird’s attic, SMUT WITHOUT SMUT: SATANIC HORROR NITE is an exclusive feature-length mixtape curated by the Lucifer-worshipping maniacs at the American Genre Film Archive (AGFA). Best viewed during the witching hour at a haunted drive-in, this mixtape features “Smut Without Smut” versions of six Satan-themed features, as well as trailers, commercials, and ephemera from the vaults. WATCH! Demon killers wearing makeup in the style of the band KISS! SEE! Sacrificial rites performed on kitchen tables! OBSERVE! Credits like “Co-starring Raquel Belch!” Dreamy, outrageous, and filled with naked people wearing velvet capes, SMUT WITHOUT SMUT: SATANIC HORROR NITE is a spicy treat for those souls who are brave enough to jump into the fire.

A fun, unique, sexy and informative video docudrama about Les Nichols, a trans man. It includes an intimate view of the night he and Annie Sprinkle tried out his new, surgically-constructed genitalia for the first time. His dual genitalia and all of their amazing functions are shown in detail. Revealing interviews, medical photographs, and Annie's heart-warming diary excerpts make this a chronicle of interest to film buffs, trans people, and those that love them. This seminal film from 1989 was the first of its kind.

When Annie Sprinkle has an orgasm with her lover in the hot tub, she reflects upon the incredibly diverse aspects of the orgasm experience. She then introduces twenty-six “orgasm experts” who have, over the years, taught her some key piece of knowledge about orgasm—and now she wants to share that knowledge with you. The interviews of the orgasm experts are inter-cut and layered with a lively collage of archival film clips, sexual imagery, and special effects.

An autobiographical documentary depicting the “pollen-amorous” love affair between artist couple Beth Stephens and Annie Sprinkle, and the biodiverse Appalachian Mountains. This documentary follows Stephens and Sprinkle on a journey home to Beth’s native West Virginia, to talk to rural community members, environmental activists, family and friends in order to speak out against mountain top removal (MTR) mining practices, which are destroying the forests, towns, and people they love.

A compilation of 32 trailers from the golden age of cinema roughies.

A bisexual female pornographer searches for sexual and economic independence in a male-dominated industry. But most of all, the girl just wants to have fun.

A feature documentary about the commercial sex industry on Guam.

A queer anthology that explores sexuality, intimacy, and identity across age groups. Conceived as a collaborative project, the film brings together filmmakers from different generations, each directing a short segment portraying encounters between younger and older men. Through these stories, the film examines how attitudes toward desire, relationships, and queer identity shift over time. Moments of curiosity, misunderstanding, attraction, and vulnerability reveal both the gaps and the connections between generations shaped by different social climates. By juxtaposing perspectives formed in eras of repression with those emerging in more open contexts, the film reflects on how LGBTQ+ experiences evolve while shared needs for intimacy, recognition, and connection remain constant. The result is a provocative and intimate mosaic about age, memory, and the changing landscape of queer life.

Inspired in form by American police TV shows and soap operas, The Golden Boat is a madcap, surreal dash through the streets of New York city, telling the mysterious and often hilarious story of an aged street-person named Austin, a comically compulsive assassin, as he joins up with a young rock critic and philosophy student named Israel Williams. In the course of their adventures, Austin pursues his object of desire - a Mexican soap opera star - and along the way engages a host of TV characters and bit players, whose repartee range from gangsterish insults to the question of God's existence.

This movie is a queer history of the environment, taking root in the powerful paradigm change: to switch from ‘Earth as a mother’ to ‘Earth as a Lover’.

With a poetic blend of curiosity, humor, sensuality and concern, this film chronicles the pleasures and politics of H2O from an ecosexual perspective. Travel around California with Annie, a former sex worker, Beth, a professor, and their dog Butch, in their E.A.R.T.H. Lab mobile unit, as they explore water in the Golden State. Ecosexuality shifts the metaphor “Earth as Mother” to “Earth as Lover” to create a more reciprocal and empathetic relationship with the natural world. Along the way, Annie and Beth interact with a diverse range of folks including performance artists, biologists, water treatment plant workers, scholars and others, climaxing in a shocking event that reaffirms the power of water, life and love.

Set in a post-apocalyptic future, the story finds a handful of ragged survivors attempting to communicate with aquatic life, while another cadre of survivors have made it their crusade to destroy all the world's religions.

The author Stefan König has writer's block. This changes when he witnesses the murder of a prostitute. He doesn't alert the police because he sets out to hunt down the murderer himself. The closer he gets to the killer, the more crimes he observes, which provides him with endless ideas for his texts. But the killer is very close...

Documentary film diary tracing Annie Sprinkle's and society’s 30 year evolution throughout the sexual revolution. Take a look at the history of porn via Annie's filmography.

Real Sex is a documentary television series broadcast on and a production of HBO. As its name implies, Real Sex is a sexually explicit "magazine" which "explores sex '90s style." Real Sex explores human sexuality, from the latest sexual fads to casual sex festivals and home production of pornographic movies. The show typically explores three to four topics each episode. Segments are separated by street interviews with random people, relating to the episode's topics. Episodes of the show investigate RealDolls, "Swingstock," a cunnilingus seminar, a perpetual sex machine for women, and lovemaking in chocolate. The last Real Sex episode aired in 2009. Older episodes as well as "best-of" episodes are frequently re-aired during late nights on HBO. It spawned a spin-off series called Pornucopia.