The Rub

Reconstructions of unrealized Hungarian films in cooperation with the greatest Hungarian film directors.

510 On a sleepy morning Eduardo Kac, Professor of Biology, cross-fertilized his own DNA with that of the petunia. From the poetry book of Márton Simon.

Dr. Moreau is an abstract horror short, adapted from H.G.Wells' classic novel, that will invite the viewer to board on a tangible journey to the borders of science, where the differences between nature and humanity are blurred.

A boy's sleep is disturbed.

A collage crime movie from the first novel of Agatha Christie.

Arthur Rimbaud's adventures are still the greatest mysteries of the history of literature. This film, which was written by three Hungarian poet, attempts to reconstruct the journeys of the French poet. Rimbaud is an experimental road movie, edited from 30 reels of super 8 film, shot by unknown families in the past century.

1990, after the fall. A man struggles to survive in the forest, living alone in a small cabin. One day he spots a mysterious child in an abandoned summer camp.

If this is heaven, bring on the afterlife! The spirits of legendary Hungarian filmmakers Michael Curtiz and Gábor Bódy meet in a metaphysical screening room, while on the screen footage plays of classic twentieth-century films.

An experimental reinterpretation of Dracula, this film fuses analog and digital decay-from Super 8 to 35mm-into a glitch-infused vision that transforms the novel's gothic eroticism into a haunting new audiovisual experience.

The film approaches Orwell's Nineteen Eighty-Four as a speculative archaeology: the visual markers of consumer society and political propaganda emerge through damaged advertisements and printed political materials.

In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies. With the aim of restoring these lost memories, we sent the images around the world. This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers. Fourteen perspectives and ways of experiencing appropriation. Fourteen variations on the intimate.

Collage film built upon the audio of The War of the Worlds, directed and narrated by Orson Welles. Originally broadcast in October 1938 as a Halloween prank, the program famously triggered mass panic across the United States, as its format—presented as a series of live news bulletins—proved uncannily convincing. Absorbing the visual language of the contemporary media environment, W:A:R:O:F:T:H:E:W:O:R:L:D:S constructs a peculiar media-archaeological artifact. AI-generated videos, drone footage, feature films, video games, and online fragments converge with the original radio broadcast, creating a layered and unstable field of perception.

"Közért" (translation: "for the public") was a government owned chain of stores in Hungary, during the communist era (1948-1989). The word Közért is still used in the Hungarian language. Our film was made from the 35 mm celluloid raw footage of its advertisement: the film strips were digged in the soil, rotten with food and cut up in pieces.

The Philosophy of Horror is a seven-part abstract adaptation of Noël Carroll’s influential film theoretical book of the same title (published in 1990), which is a close examination of the horror genre. The film uses hand painted and decayed 35mm film strips of the classic slasher movie A Nightmare on Elm Street (Wes Craven, 1984) and its sequel A Nightmare on Elm Street 2: Freddy's Revenge (1985).

The film attempts to stimulate without dialogue and with not too exciting storyline, using only images, sounds, film-noir and usual horror elements.

This film was made during the second hungarian abstract film workshop: the students created a free association adaptation of the poem of Charles Bukowski. The film was made with direct animation technique, on 35 mm and 16 mm filmstrips. Eötvös Loránd University (ELTE), Budapest.